PURITY is a next generation of digital musical instrument workstation and PCM sound module software. PURITY is designed to realize and surpass the hardware musical instrument workstation perfectly on computer-based music production environments offering higher sound quality and more usability.
AI computing infinite patterns, melodies and bassline, Unlimited Possibilities, Easy-to-use Parameters, Perfect DAW Integration…
THE ABSOLUTE COLLECTION – THE BEST VIRTUAL INSTRUMENTS FOR YOUR MUSIC PRODUCTION. Get tons of creative instruments with over 100 GB of sound content for every kind of music production. Explore over 6,800 presets, next-generation synthesizers and one of the best drum plug-ins available. And when that is not enough, you can easily build your own sample instruments.
Jup-8 V is a powerful addition to the family of analog synthesizer recreations. Offering the unique sound palette of the Roland Jupiter 8, this virtual version is a sound designer’s dream.
A classic of the late 70’s and 80’s. We recreated a classic 80s EP by Spectral Modeling, offering the real sound and feel of the simplest electromechanical piano in the history in just 30MB. Carefully crafted. Detailed recreation of every single mechanical noise and main timbre. No velocity swithching since is not sample-based. Available for Mac & Win, Standalone and Plug-in versions.
THINGS allows you to create hi-quality synth sounds even if you have zero experience in synthesis. We’ve implemented what we called “Descriptors” which are objects and ideas that will help you understand the effect of a knob and the kind of sound it will produce.
Straightliner is a straight-lined and modern approach to subtractive synthesis. Instead of trying to faithfully emulate old analog synthesizers with all their physically imposed limitations, Straightliner takes full advantage of the extended possibilities that software based synthesis offers: the oscillators support loading of arbitrary (single cycle) audio files. Flexible modulation generators, which allow to define an arbitrary number of breakpoints, are available for pitch, filter-frequency and amplitude. The filter has a lot of different modes, among them the usual suspects like lowpass, highpass, bandpass and a sophisticated Moog-filter model. The whole signal path is laid out in stereo which allows for big and enveloping sounds even without any effects. The user interface of the synth focuses on visual editors instead of the commonly seen hardware oriented interfaces.
