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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • AMR2 v2.2.0 AU AAX VSTi RTAS WiN MAC-R2R
    March 16th, 2017 ⚡
    Categories: AAX, AU, macOS, VST, VSTi, WiNDOWS

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    AMR2 v2.2.0 AU AAX VSTi RTAS WiN MAC

    TEAM R2R | 26.3.2016 | WiN: 2.41 GB | OSX: 3.66 GB

    AMR is modeled on Stingray 5 Classic 5 strings electric bass, sounding hard and bright.



    Viewed 2953 By Music Producers.

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    • Verbstation v1.0 WiN MAC RETAiL-SYNTHiC4TE
      March 14th, 2017 ⚡
      Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS

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      Verbstation v1.0 WiN MAC

      SYNTHiC4TE | March 13 2017 | 120 MB

      VST/VST3/RTAS/AAX/AU

      Verbstation is the reverb unit you’ve been waiting for. Verbstation is designed to give your tracks the space they need. Each reverb was designed and tuned to easily fit any mix. Inspired by the most used reverb units in recording studios around the world, Verbstation is perfect to glue and add space to your mixes.



      Viewed 5116 By Music Producers.


      • syntAX VSTi DXi RTAS AU HYBRiD DVDR-DYNAMiCS
        February 26th, 2017 ⚡

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        syntAX HYBRiD

        Team DYNAMiCS | 02/17/2008 | 3.97 GB

        VSTi DXi RTAS AU HYBRiD

        A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more. A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more.



        Viewed 7627 By Music Producers.


        • Mojo Horn Section VSTi RTAS AU HYBRiD DVDR D1-2-AiRISO
          February 26th, 2017 ⚡

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          Mojo Horn Section DVDR D1-2

          TEAM AiRISO | 09/2009 | DVD 1: 7.71 GB | DVD 2: 6.89 GB

          Now at the tips of your fingers is the most versatile horn section in the world, MOJO: Horn Section, which offers the most flexible and innovative approach to pop, funk, jazz, and big band horns ever created in a virtual instrument. Pushing the boundaries of sampling and scripting technology far beyond traditional sample libraries, MOJO offers a simple but feature-packed interface. No need to decide in advance which articulation you want to play. Simply load the instrument, turn the Ensemble knob to specify how many players you want playing that instrument (from a soloist to a dectet) and begin controlling the instrument from the keyboard. Mojo Horn Section Screenshot More than a dozen articulations are instantly loaded and intelligently handled via performance features and keyswitches. Behind the scenes, a humanizing function, smart release layers, and custom legato and vibrato tools assist the player in reproducing the ultimate dimensions in realism. Crescendos and swells sync instantly to host tempos and can be triggered in real time.



          Viewed 9164 By Music Producers.


          • Bliss v1.0.1 AU VST VSTi MAC LiNUX-DVT
            February 25th, 2017 ⚡
            Categories: AU, LiNUX, macOS, VST, VSTi

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            Bliss v1.0.1 AU VST VSTi MAC LiNUX

            TEAM DVT | Jan 02 2016 | MAC: 14.59 MB | LiNUX: 10.48 MB

            Performance Sampler Scalable & themeable GUI VSTi sampling 8 macro assignments. Dual Zero Delay Feedback Filters Sample editor 7 built-in effects.



            Viewed 4577 By Music Producers.

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            • Overtone v1.0.1 AU AAX VST VST3 WiN MAC
              February 25th, 2017 ⚡
              Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x86

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              Overtone v1.0.1 WiN MAC

              P2P | 25.02.2017 | 18 MB

              AU AAX VST VST3 x86 x64

              Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.



              Viewed 5195 By Music Producers.

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