Learn all about the various metering tools you’ll find in your DAW, and how they can provide valuable visual information that you can use to make better decisions while mixing and mastering.
Insight 2 is a comprehensive metering and audio analysis plug-in that is a core component of award-winning post production studios, music studios, and broadcast facilities. It is perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, monitoring the intelligibility of your dialogue, and ensuring compliance with broadcast loudness standards. With Insight 2, you can immediately detect potential mix problems through real-time visual monitoring and color-coded alerts. Customize your view by choosing the meters you want to see, set your preferred targets, and resize the window to fit your current workflow. You can also route any audio track in your DAW to Insight 2 to quickly check loudness, levels, intelligibility, phase, frequency content, and more. With layouts and targets for every stage of post and music production, you can deliver the optimum mix the first time around. Save time and money when mixing and mastering audio by monitoring your audio with the highest accuracy. Keep an eye as well as an ear on your mix at all times with Insight 2!
Sidearm is a flexible compressor with many options to tweak the sidechain signal for very precise control. It can perform downwards, upwards and parallel compression and limiting, in peak or RMS flavours and with lookahead if you want it. But the sidechain control is where sidearm really gets to business. Whether you choose an internal sidechain or an external audio source, you can modify the sidechain audio with a multi-mode, adjustable-slope filter (up to 96 dB/octave) and adjust the mid/side, stereo balance and gain. You can also gate the control signal so it only kicks in above a certain level. This brings a level of control that will allow you to define exactly when the compressor kicks in, by isolating specific frequencies, stereo positions and volume levels in the sidechain. There is even a ‘sidechain listen’ option so you can hear what the compressor hears in the sidechain.
The DRMeter offers essential options for musically responsive, realtime level metering. These include graphical and numeric estimation of DR dynamic range, plus measurement of SPPM Peak, RMS amplitude, digital overs and “digital black.” The DRMeter release was first step in bringing forward the legacy of the PMF’s legendary TT Dynamic Range Meter, certainly the most popular metering plug—in of the last decade and one that engendered many inaccurate imitators. Inspiring music producers and artists worldwide for more dynamic music releases, DRMeter’s carefully tuned ballistics contributed to the original TT’s broad acceptance. We have tested the new DRMeter again and again against the original TT DR Meter to ensure a consistent user experience.
dpMeterXT2 is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT2 is the sucessor of dpMeterXT. dpMeterXT2 supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT2, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).
The K-System has three scales: K-12, K-14 and K-20. You choose which scale to use based on genre and delivery format. K-12 is for broadcast and radio. K-14 is for mainstream pop, rock and country. K-20 is for film, classical and high-fidelity recordings. From K-12 to K-20, the scales provide an increasing amount of dynamic range.
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