Imperial Delay v1.5.8 MAC

Kleen | 28.11.2015 | 18.70 MB

AU/VST/VST3

Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both. Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.

Cross DJ v3.4.3 MAC

P2P | Jan 14 2017 | 169 MB

Cross is a digital vinyl and MIDI DJ software for Windows and MAC platforms. MixVibes drew from its experience in audio engine and vinyl control design to deliver a new pro-DJ product that brings more efficiency and simplicity to the mix. Cross delivers the best of MixVibes’ know how in DJ software in a solid and back to basics package! This software will satisfy the expectations of professional DJs who need a powerful and reliable DJ tool.

Sibelius v8.5.0 MULTiLANG MAC

P2P | Dec 07 2016 | 955 MB

Avid Sibelius 8 is the world’s best-selling music notation software. Its sophisticated, yet easy-to-tools are trusted by composers, arrangers, publishers, educators and students alike. The latest Sibelius allow you to access this incredible software in more affordable ways than ever before. Now you can compose with a low-cost subscription, or own the software outright. With Avid Sibelius 8 manage multiple copies with network licensing, or simply purchase a single license for yourself. The choice is yours! New features such as Annotate, multi-touch gestures, Surface Pro 3 pen support and so much more offer you the ability to express your creativity in innovative ways. Whether composing for a live performance, movie, television, or media entertainment.

Euphonia v1.4 MAC OSX

HEXWARS | 22.09.2014 | 7.08 MB

AU / VST / VST3 / RTAS

Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve this in an effective manner is not easy to master!

Cosmosƒ FX AU VST 64Bit MAC OSX

C0PYL3FT3R | 22.08.2014 | 6.43 MB

AU VST 64Bit

CosmosƒFx has the same engine of vSaturn but comes in effects plugin format. Therefore it can process live inputs in various ways, offering the expected sonic richness of the Cosmosƒ signal processor. The audio coming into Cosmoƒ FX will be input directly into the micro events. The synth engine of CosmosƒFx offers three handling methods which concerns the mapping of the incoming data as the micro event audio content. And then the micro events process this data with their own parameter space and accumulate the result as meso event to the higher level. Then altogether the meso events construct the macro event which then can be fed back to micro events.

Cosmosƒ vSaturn AU VST 64 Bit MAC OSX

C0PYL3FT3R | 22.08.2014 | 20.3 MB

AU VST 64Bit

Cosmosƒ is a real-time dynamic stochastic synthesis engine, which does generate sonic textures with a complex event distribution process. Discrete sonic events of certain density are distributed in a time space with their onset time and duration parameter calculated with stochastic /deterministic functions. Each macro event defines the duration of a meso space, and the sub events are distributed inside it. The overall goal of these functions is to achieve control on each event space and perform the process of change on the appropriate operation level. The user intervenes with the system in real-time by inputting a sound source or accessing different type of synthesis/modulation generators and by controlling the parameters for the sonic event distribution on different time scales.

UBK-1 v1.2.3 AU VST MAC

OPENSSH | 24.05.2015 | 39.6 MB

UBK-1: It moves, it growls, it brings sounds to life.

I did a master class , easily one of the most creative mixers ever to lay hands on a console. He told me he wanted me to stop thinking of compression as dynamics control and start thinking of it as a form of movement. UBK-1 is most definitely the result of taking that advice. I have way too much fun with its squishy mojo, the way it aggressively smacks sounds back into place, making them pump and move like living things.