APU Loudness Compressor v4.6.1 WiN MAC

Team BTCR | 28 November 2025  | 70 MB

The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical compressors operate using only RMS and/or Peak units of measurement. But technology has come a long way since then and we’re overdue for an upgrade.. This compressor uses modern industry standard LUFS units of measurement to provide a far more transparent response which is connected to the way humans actually experience loudness. The entire signal flow of the compressor operates within this more precise understanding of loudness. The plug-in user interface provides a more flexible alternative to traditional threshold-and-ratio style of compressor controls. Instead, source and target ranges of loudness can be configured and the compressor will either compress or expand as needed.

Loudness Limiter v4.6.1WiN MAC

Team BTCR | 28 November 2025 | 56.8MB

PLATFORM: AU/VST2/VST3/AAX

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

Loudness Contour v4.6.1 WiN MAC

Team BTCR | 28 November 2025 | 131 MB

Real-time equal-loudness Contour Shaping

APU Loudness Contour is a real-time equal-loudness filter that offers precise control over a wide range of perceptual loudness contours, including ISO 226 (2003 & 2023), Fletcher-Munson, K-weighting, A/C-weighting, ECMA-418, and ITU-R 468. Each contour is normalized to 0 dB at 1 kHz and includes a dedicated contour weight parameter, allowing you to scale the frequency response in both positive and negative directions. A weight of 0% results in a flat response, while negative weights invert the contour. ISO 226 and Fletcher-Munson curves support variable reference levels from 20 dB SPL to 120 dB SPL, with smooth interpolation between phon curves.

Loudness Meter Ultra v2.5.12 WiN

Team V.R | 27 July 2025 | 16MB

..: AAX*, VST3, VST, x64, STANDALONE :..

⚡ THE BEST LOUDNESS METER ON THE MARKET ⚡

Youlean Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.

Sonic Sweet v4.7.1 MAC

Team HCiSO | 09 November 2025 | 119.28 MB

PLATFORM: AU/VST/VST3/AAX(MOD)/x64

The BBE Sonic Sweet v4 plug-ins gives you exactly the same brightness, clarity, and fullness as the hardware modules with the added bonus of being fully automatisable. The “Sonic Sweet” bundle consists of four amazing plug-ins that bring the legendary BBE Sound into your productions.

MELD v4.0.89 WiN

Team R2R | 05 November 2025 | 34.9 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

For three decades, John Hanes has been an instrumental force in shaping the sound of modern music from the helm of the world-renowned MixStar Studios. Through our landmark collaboration, MELD now provides unprecedented access to his expertise. We worked directly with John to deconstruct and meticulously model the modern and cutting-edge immersive workflows he has perfected at the industry’s highest level. MELD is more than a product; it’s a direct line to a master’s process.

MH CGII v4 WiN

Team R2R | 05 November 2025 | 22MB

CGII: Make it Good & Loud!

CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.