Every plug-in we make, one payment. The analog chain — preamp, EQ, tape — plus MELISMA, which turns a sung or played line into MIDI without losing the slides and ornaments. Four keys in one e-mail.
Shape your entire drum mix with Ultimate Kick, Snare, Toms, and Cymbals & Rooms. Add punch, weight, attack, tone, ambience, and aggression fast—without stacking endless plugins.
Bloom your frequencies, craft hypnotic delays, make bold EQ moves, and inject character into every track. The Complete Bundle gives you the tools to create without limits. Featuring Resonant Reverb, Trinity EQ, Andes Echo, DriveDown Distortion, Feedback Chorus, UFO Filter, The Hammer II, and Epic Notes. One bundle. Endless creative possibilities.
What if you could dial in a killer vocal tone in a matter of seconds? What if you only needed ONE plugin on your vocal track instead of a huge stack? Vocals are notoriously challenging to mix. It can sometimes feel like playing whack-a-mole at the fair. (Every time you solve one problem, another one pops up.) We designed GilderVox from the ground up to take the guesswork out of mixing vocals. It includes everything you need to dial in a powerful vocal tone that sits on top of the mix, with just a couple of tweaks of a few knobs. (It’s hard to make this thing sound bad.)
Stage Focus Pro is a content-aware processor designed to bring clarity, balance, and intent to any source without stripping away its character. Its adaptive focus engine shapes the spectrum where it matters most, while resonance control, selectable focus ranges, and musical saturation help tame clutter, reveal detail and add presence. Stage Focus Pro expands the Stage Focus Core processor into a deeper mix-shaping tool. The Core engine still provides dynamic clarity and masking reduction, Focus Guide, Focus Follow, Auto Gain, and Eco Mode, while Pro adds targeted spectral processing, external detection, harmonic range saturation, and a proprietary spatial tilt system.
Causa is a 24-band parametric EQ. Bands go straight onto the curve: place one, drag it, choose its shape. The vertical axis stretches on its own to fit whatever you build. Most EQs that offer a choice of phase offer a choice between not moving it at all and moving it as little as possible. Causa adds a third option, the phase behaviour of a real analogue EQ, and one button takes you from there to phase that does not move at all. Whichever you pick, the frequency response does not change by a hair. Flat phase comes with a little energy arriving ahead of the sound. Perceptual mode holds that back while keeping the character of flat phase, which is the reason it is there. Any band can also carry dynamics, on its own: Dynamic moves the whole band once the level crosses a threshold, Spectral holds down only what protrudes inside the band, and Expansion lifts whatever falls below.
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