NEOLD Bundle 2025.08 WiN
TCD | 30 August 2025 | 59.97 MB
x64: AAX, VST3, VST2 | x86: JBridge
Viewed 21286 By Music Producers & DJ´s.
Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.
Linear Phase EQ: Firium builds a complex FIR (Finite Impulse Response) filter to your specifications. See the results of your EQ with the built-in spectrum analyzer. Firium will not color your audio with the introduction of non-linear phase shift.
The next generation in EQ. Go on, be the boss Why work within the confines of an EQ configuration of someone else’s choosing? Eqium lets you determine your ideal EQ. And if you ever need more bands or filters, they’re just a click away. No need to swap out for another EQ or use another insert slot. Eqium lets you be the boss. Variety isthe keyFrom standardto specialtyfilters, the unprecedented selection lets you be the master of your EQ. Use the 4 and 8 harmonic parametrics to remove A/C line noise (i.e. hum) or use the steep notch to remove unwanted tones. With 11 filter types available, there’s a filter for every occassion.
The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.
Sometimes you just don’t want to spend much time on finding the ideal EQ settings (and, with beasts like IIEQPro and LP10, you can easily lose yourself in all the options), but just turn a knob and know it will sound right, because someone else has figured out the most musical response for you. In the case of the 6144, this person has been the designer of the Neve Portico 5033, which was the role model for this software EQ. Hats off to the man! Unique gain-Q-interaction and custom made low- and high shelf filters make sure you can apply even extreme settings without getting harsh or muddy results. Add a little bit of saturation for that extra warmth, et voila! There you go…