DYN500 v3.0.0 WiN MAC LiNUX

R2R | 2020.10.04 | WiN: 2.99 MB | MAC: 4.68 MB | LiNUX: 3.62 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

SpectraPhy v2.3 WiN MAC

TEAM ASSiGN | 25 FEBRUARY 2012 | WiN: 7.60 MB |♥ MAC: 32 MB

Spectra’Phy™ V2HD – is the second generation Mastering grade look-ahead brickwall audio limiter / maximizer and is now a full Multi-Band processor as well as the only audio plug-in to utilize the principals of mechanical physics for Audio processing. SpectraPhy Pro V2 breaks new ground in Audio processing for quality and easy of use to achieving amazing professional results for Mastering, Mixing, Tracking and all Audio/ Music Production. It is incredibly efficient in processing while maintaining predictability and providing the best of breed outcome for all Pro Audio use together with it’s gorgeous user Interface. SpectraPhy V2 provides complete independent gain threshold control for all individual L/R channels for each band and this is carried over to the Final Mastering level on the input channel. By utilizing the new Crysonic “Nephilim Audio Physics Engine” unlike other limiters, an unusual amount of audio limiting / maximization can be applied without any unwanted audible artifacts.

ADverb2 v2.1.0 WiN MAC LiNUX

SYNTHiC4TE | Dec 02 2020 | 16 MB

AU/VST/VST3/AAX/x64

ADverb2 is a full update of our classic ADverb (originally named “c”) vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.

DSP-Quattro v5.5.1 MAC

TNT | Jan 3 2021 | 46 MB

Audio File Editing, Audio CD Mastering, Plug-in Hosting

A new application forged on its distinguished past. Rebuilt from the bottom up for macOS Mojave (*), DSP-Quattro 5 stands on the foundation of its award-winning twenty-three year history, primed to carry on its tradition of excellence well into the future.

ValhallaDSP Bundle 2020 WiN

TEAM V.R | 21.05.2020 | 13.6 MB

Win32/64; AAX*, RTAS, VST3, VST

Creative Tools For Audio Workers.

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

Clariphonic DSP mkII v1.1.1 MAC

OPENSSH | 10.07.2018 | 7.9 MB

AU VST x64

After 3 years of using the original Clariphonic DSP, I’d compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters. To my ears, the mkII sounds markedly smoother than the original, and it’s considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening. I overhauled the GUI as well, it’s a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I’m more proud of this design than any I’ve done to date, and that’s coming from the guy who recently dropped the Tweaker.