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Pro Series Studio Plug-ins, which they describe as a series of extremely high quality audio FET, Tube, and Optical compressors that introduces profiling and component based compression for the first time ever in a plug-in.
While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.
StompFilter is a creative tool designed to provide an exceptionally wide range of modulated filter and gain sounds (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). Its effects include a simple LFO-modulated low pass filter; auto-wah; low-, band-, or high-pass filter; and compressor. Thanks to the smoothly adjustable filter type and flexible cross-modulations of the LFO by the envelope of the signal, StompFilter is able to provide vivid, expressive filtering. Just a pinch of adjustable LFO randomization will provide analog-like “imperfections,” ensuring that you will never get bored of it.
Anyone who has ever wanted the ultimate tube compressor that can bring a vocal forward, add a little air, hold the dynamics in place and add a size and dimension to the audio without that audio getting cloudy can now realize their wildest dreams!!! This Vari-Mu compressor embodies all that is good and right with tube compressors that actually use the tube in the gain reduction circuit. Two units sampled: the Balck Mix Compressor with stock Siemens and NOS Amperex Bugle Boy tubes, and the Red Mastering Limited Edition compressor with NOS Mullard and NOS Telefunken tubes.
The L-Phase Multiband features 6 color-coded bands, external sidechain support with audition, Auto Release to minimize pumping, and intelligently sets the attack time based on where the band is created.