Compressor integrates tightly with Final Cut Pro and Motion to add power and flexibility to your video conversions. Quickly customize output settings, enhance images, and package your movie for sale on the iTunes Store. Easily set up distributed encoding using other Mac computers.
Yury Semenov is an independent Russian developer who has gained recognition in the music production community for his extensive collection of free audio plugins. Designed for Windows and macOS, his VST and AU tools offer professional solutions at no cost, ideal for producers, sound engineers, and sound designers looking for quality without compromising their budget.
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical compressors operate using only RMS and/or Peak units of measurement. But technology has come a long way since then and we’re overdue for an upgrade.. This compressor uses modern industry standard LUFS units of measurement to provide a far more transparent response which is connected to the way humans actually experience loudness. The entire signal flow of the compressor operates within this more precise understanding of loudness. The plug-in user interface provides a more flexible alternative to traditional threshold-and-ratio style of compressor controls. Instead, source and target ranges of loudness can be configured and the compressor will either compress or expand as needed.
Based on arguably the most famous compressor/limiter in history. AK-476 is the perfect tool for vocals, drums, bass guitars, and any track where you need reliable, fast dynamic control. Able to tame the fastest transients, as well as accentuating the instant smack of your snare. External sidechain gives you even more flexibility, while dual-mono feature gives you more control over your bus.
Shadow Hills Mastering Compressor – Tame your dynamics with tremendous tone and precise control The supreme tycoon of master bus compression Meticulously modeled by Brainworx after the instantly legendary hardware original, no details have been spared in crafting this digital version of one of the most musical and versatile compressors out there. A well known staple in the music industry, the Shadow Hills compressor easily tames even the most unruly and chaotic transients with flawless control and amazing tone. It’s no wonder that it has been the go-to buss compressor on timeless records by Radiohead, Foo Fighters, Beck, Green Day, Coldplay and countless others.
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.
An early VCA based compressor, considered by many to be among the best of its type for drums, bass, vocals, and more. It’s not without its detractors, with some considering it to be a simple one trick pony, mainly due to the original hardware’s lack of adjustable attack and release controls. The Nebula programs I’ve made here do have added attack and release controls, making it much more flexible. By default the programs load on settings that represent the hardware closest. From there you can adjust the controls and get different behaviors that weren’t possible with the original hardware, while retaining the rest of the original characteristics that got the original labeled a character piece.
