L2-Aura v1.0.2 MAC

MORiA | 11 July 2025 | 87.6MB

L2 Aura The immortal tube compression. Based on an absolute vintage classic. L2Aura is simple to use, delivering the gentle, smooth compression to vocals, guitars, keyboards, basically everywhere. Level your screams with precision and keep them where you want them. External sidechain gives you even more flexibility, while dual-mono feature gives you more control over your bus. Ideal for making sure the track stays tight in the mix.

Monster 4000 v1.0.2 MAC

MORiA | 11 July 2025 | 594.13MB

Monster 4000 The classic, reimagined.

Monster 4000 is an essential mixing tool, modelled after the well-known console compressor used as a mixing “glue”. Now with extra saturation. Add more punch, make the record tighter, smooth out the mix – it handles all of that. External sidechain gives you even more flexibility, while dual-mono feature gives you more control. It’s that final something needed for every recording.

MU-24 Comp-Limit Rev.E

Team ARCADiA | 11 December 2025 | 53.74 MB

…: (Sound Skulptor MU524) :…

Based on an emulation of those classic Vari-Mu tube-compressors/limiters (Al*ec436/R*124) in 500 series format. It provides smooth, vintage sounds with soft knee compression.

Smasher v1.5.4 MAC

GUiSEPPE | 04 June 2025 | 34.2MB

PLATFORM: (AU, VST3, 64Bit)

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.

NN76 v1.1.2 WiN

Team R2R | 08 April 2026 | 29.4MB

Neural Network FET Compressor

Level-up your mixes with NN76, the first plugin to harness machine learning and neural networks to emulate the iconic FET compressor. Next-Generation Technology powering authentic analog sound. NN76 leverages a groundbreaking neural network engine that captures unparalleled levels of detail. We started by capturing hundreds of hours of high-resolution audio running through the legendary “Blackface” hardware. Then, over weeks, our neural network was trained to replicate the hardware’s unique response using cutting-edge machine learning techniques. The result? A breathtaking recreation that captures every non-linearity and subtle distortion that mix engineers adore. Using NN76 offers an uncanny experience—it feels as if you have the real hardware sitting right there in front of you.

L2-Aura v1.0.0 WiN

BUBBiX | 16 November 2024 | 63 MB

L2 Aura The immortal tube compression. Based on an absolute vintage classic. L2Aura is simple to use, delivering the gentle, smooth compression to vocals, guitars, keyboards, basically everywhere. Level your screams with precision and keep them where you want them. External sidechain gives you even more flexibility, while dual-mono feature gives you more control over your bus. Ideal for making sure the track stays tight in the mix.

MB-3X v2.1.1 WiN MAC

Team R2R | 08 December 2024 | 17.3 MB

PLATFORM: AU/VST2/VST3/AAX

The MB3X Multi-Band Mastering Compressor is a plugin emulation of the hardware unit manufactured by Rocksonics Professional Audio in the mid 1990’s – with BONUS features only available in the plugin. The MB3X is a mastering grade compressor/limiter with extremely low distortion and utmost musicality. The MB3X uses multiple layers of program-dependent RMS level detectors for smooth, low distortion “musical” results while being very simple to set up and operate. The compressor has three fixed bands of compression separated by unique, constant amplitude Bessel crossovers that produce minimal phase distortion and NO pre-ringing. A single Threshold control sets the nominal compression threshold point that can be individually trimmed for each band via unique “tilting” trim controls making it extremely fast to set up.