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  • Audio Damage Fluid v1.x VST AU UB WiN MAC
    September 4th, 2022 ⚡
    Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS, x86

    Audio Damage Fluid v1.x VST AU UB WiN MAC

    Fluid v1.x WiN MAC

    Teams AiR-PDS | xx.xx.2007 | WiN+MAC 4.62 MB

    Why do most software chorus plug-ins sound like crap? We can’t answer that question, but we did the next best thing: we created one that doesn’t. Fluid is an analog-modeled chorus that, if we may be so bold, cleans the floor with the typical chorus that comes with your DAW. For subtle phasey widening and full-on modulation mayhem, it makes chorus a usable effect again, from giving pads a wide stereo stage to livening up stiff and static guitar parts.

    Buy/Download ✅



    Viewed 21056 By Music Producers.

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  • Dr.Device v1.0.x AU UB VST WiN MAC
    June 10th, 2021 ⚡
    Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS, x86

    Dr.Device v1.0.x AU UB VST WiN MAC

    Dr.Device v1.0.x WiN MAC

    Teams AiR-DYNAMiCS | 2007 WiN: 1.54 MB | 2008 MAC: 2.33 MB

    Dr. Device is two (two! two!) hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring our own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through our true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics (you have to see it to believe it) and you’ve got an effect well-suited for both live performance and studio tweaking.

    Buy/Download ✅



    Viewed 11740 By Music Producers.

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  • Audio Damage Rough Rider Pro v1.2.0 WiN-R2R
    December 9th, 2015 ⚡
    Categories: Audio Damage, VST, WiNDOWS

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    Audio Damage Rough Rider Pro v1.2.0 WiN

    TEAM R2R | 2015.12.08 | 437,46 KB

    What do you get when you add an isolator section to a stack of three Rough Rider compressors? Rough Rider Pro! While most multi-band compressors are designed to do gentle dynamics control (and to be fair, Rough Rider Pro can do that sort of thing if you want) we added the Nuclear Option to this compressor. 1000:1 ratio? Check! Series mode for ludicrous squishing? Check! Full isolator for extreme tone carving? Check!  In short, Rough Rider Pro is for those times when you want to know your signal is compressed. Other compressors are kittens, rainbows, and gumdrops. This one is a 40-foot-tall fire-breathing lizard.

    Buy/Download ✅



    Viewed 6555 By Music Producers.

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  • Eos v1.1.1 VST RETAiL WiN-SYNTHiC4TE
    October 4th, 2015 ⚡
    Categories: Audio Damage, VST, WiNDOWS

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    Eos v1.1.1 VST RETAiL WiN

    SYNTHiC4TE | Feb 02 2015 | 745.6 KB

    Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.

    Buy/Download ✅



    Viewed 4908 By Music Producers.

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  • Eos v1.1.2 AU VST RETAiL MAC OSX-SYNTHiC4TE
    February 3rd, 2015 ⚡
    Categories: AU, Audio Damage, macOS, VST

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    Eos v1.1.2 AU VST RETAiL MAC OSX

    SYNTHiC4TE | Feb 02 2015 | 1.2 MB

    Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.

    Buy/Download ✅



    Viewed 4294 By Music Producers.

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