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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Eos v1.1.1 VST RETAiL WiN-SYNTHiC4TE
    October 4th, 2015 ⚡
    Categories: Audio Damage, VST, WiNDOWS

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    Eos v1.1.1 VST RETAiL WiN

    SYNTHiC4TE | Feb 02 2015 | 745.6 KB

    Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.



    Viewed 4792 By Music Producers.


    • Eos v1.1.2 AU VST RETAiL MAC OSX-SYNTHiC4TE
      February 3rd, 2015 ⚡
      Categories: AU, Audio Damage, macOS, VST

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      Eos v1.1.2 AU VST RETAiL MAC OSX

      SYNTHiC4TE | Feb 02 2015 | 1.2 MB

      Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.



      Viewed 4143 By Music Producers.


      • AudioDamage Mayhem VST PlugIn Suite v1.0 WiN-PARADOX
        March 21st, 2014 ⚡
        Categories: Audio Damage, VST, WiNDOWS

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        AudioDamage Mayhem VST PlugIn Suite v1.0 WiN

        Team PARADOX | VST | 03/2004 | WiN | 3.5 MB

        x86 (x64 works with jBridge)

        The Mayhem VST plug-in suite is a collection of four different effects designed exclusively for the abuse of your audio.



        Viewed 11057 By Music Producers.


        • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
          September 20th, 2013 ⚡
          Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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          Audio Damage Replicant VST AU UB PC MAC

          Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

          Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



          Viewed 14862 By Music Producers.


          • Audio Damage Vapor v1.0 VST PC
            September 20th, 2013 ⚡
            Categories: Audio Damage, VST, WiNDOWS

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            Audio Damage Vapor v1.0 VST PC

            Team AiR | Date: 11/2007 | 1.91 MB

            What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals “chorus”). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone. Vapor’s main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.



            Viewed 11369 By Music Producers.


            • Audio Damage Liquid VST AU UB 1.0.1 MAC HAPPY NEW YEAR
              September 20th, 2013 ⚡
              Categories: AU, Audio Damage, macOS, UB, VST

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              Audio Damage Liquid VST AU UB 1.0.1 MAC

              Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

              Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.



              Viewed 7478 By Music Producers.


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