Pulsar Primavera v1.2.4 MAC
GUiSEPPE | 04 June 2025 | 107MB
PLATFORM: (AU, VST3, 64Bit)
The real sound of spring reverberations. Six customized classic spring reverb models.
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The real sound of spring reverberations. Six customized classic spring reverb models.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.
The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.
The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.
Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.
DRC is a powerful new dynamic processor plug-in inspired by the legendary DBX 118. With a fresh perspective on the classic concept, DRC offers advanced processing capabilities that are seldom found in contemporary hardware or software, making it an essential tool for modern music production. While the DRC draws inspiration from the DBX 118, it is not a direct emulation of the original hardware. Instead, it re-imagines and expands upon the original concept, incorporating additional features to enhance its utility in various audio processing scenarios. This unique approach allows users to harness both compression and expansion across the entire dynamic range of the signal. Additionally, the processor can isolate and handle signals above or below the threshold, providing a more refined level of control.
Cloudburst produces some of the most gorgeous ambient reverb tones and soundscapes you’ve ever heard, including a whole range of captivating sounds never previously available from a plugin. But how could a reverb plugin deliver something truly new? The answer is Cloudburst’s breakthrough Ensemble engine.