The flexible, intuitive Retrologue 2 emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue 2 the first choice for producers everywhere.
8 quality analog sounds coming from the Arturia MicroBrute.
Rated “Best Analog Synth Of the World” in ’97, the machine had some nice features like Real Time Control over the whole parameters, Quasi infinite sound textures possibilities, Direct and real time access to the midi sysex, and much more… This CDRom without being exhaustive stills a good usable bank of sound directly sampled from the legendary Synth.
The original Mutator, a super sweet stereo analog filter and envelope follower created in the 90s, was an instant success and quickly became a recognizable feature of the 90s sound. Mutator back in plug-in form with the same incredible sound quality as the original hardware plus all the benefits of a modern plug-in. The Mutator contains two independent voltage-controlled filters (VCFs) similar to those found in analog synthesizers. It works great with any sound source that’s fed into the unit, including guitar, vocals, keyboard, and drums. Use it to give a vintage analog sound to an instrument, create filter sweep effects, mix the original sound source with the mutated sound, and more.
Analog tape has a smoothing effect and adds weight and glue to a mix – it turns the recording from a collection of individual tracks into a song, where everything is connected and works together. Tape, with its component-level and physical modeling of three different tape machines, gives you all the warm vintage cohesion you could want in one plug-in. Add a few premium level features, like the mastering grade high shelf filter, stability control, and wet/dry mix knob, and you’ve got a new secret sauce. Mmm… tasty!
This amazing plugin pays tribute to the tape delays that changed the way music sounded forever. From the early EchoSonic pioneered by Ray Butts, Mike Battle’s Echoplex, to Ikutaro Kakehashi’s masterful Echo Chamber series, tape delays gave guitarists and organ players a new, exciting tool to use on stage and in the studio. Hearing this fluttering golden tone, it wasn’t long before studios, recording engineers, and producers wanted to make it part of their signature sounds. In 1974, the music world was taken by storm, or rather, by space. An updated version of Kakehashi’s design, this time using standard 1/4″ tape in a continuous, loose loop, and no reels, became the go-to favorite for musicians and producers. Finally, floaty, magic echo in a self-contained, reliable unit. It didn’t just sound great, it was versatile too. It had multiple delay patterns to create different rhythmic feels, EQ control to hone the delay’s tone, an integrated spring reverb, and – most famously of all – adjustable tape speed, letting it create otherworldly, haunting pitch changes in the delay. Through the magic of our advanced TAE® modelling technology, we are able to perfectly emulate this groundbreaking delay as a plug-in. All of this magic, all of these quirks, and all of this legendary tone are recreated in Delay TAPE-201.
