ANGELTONE v1.xxWiN MAC

TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

AU, VST, RTAS, x86

AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.

CLASSICTONE-56 v1.x WiN MAC

AiR/ArCADE | 2007/2008 | MAC: 5.64 MB | WiN: 4.38 MB

AU, VST, RTAS, x86

ClassicTone-56 is a true-to-the-original recreation of one of the best sounding graphic EQs ever made. These graphic EQs are found in consoles and lunch boxes around the world and are prized for their punchiness and girth. ClassicTone-56 features 10 bands. From low to high the bands are: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.

COLORTONE PRO v1.xx WiN MAC

Teams AiR/ArCADE | 2007/2008 | 12 MB

AU, VST,  RTAS,  x86

ColorTone-Pro is a “Tone Box” which simulates the signal path of analog devices through the use of convolution and various proprietary non-linear processes. ColorTone is designed to provide analog-like character and flavor to the modern digital audio workstation. ColorTone-Pro allows the user to multiply the color of the selected circuit, increasing the color from the standard character to several times the original color.

PULTONE-FL v1.x WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 5.3 MB | MAC: 5.15 MB

AU, VST, RTAS, x86

PulTone-FL is a recreation of a super-sweet passive program filter set. This studio classic is one of the best ways to tweak and shape tracks to create space in a mix or to create limited frequency range effects like the classic “telephone” vocal. These are the smoothest filters for carving your tracks into new and unique shapes. PulTone-FL features two filter bands, one low-cut and one hi-cut. The frequencies for the low-cut are 50 Hz, 80 Hz, 100 Hz, 150 Hz, 250 Hz, 500 Hz, 750 Hz, 1 kHz, 1.5 kHz and 2 kHz. The frequencies for the hi-cut are 1.5 kHz, 2 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz and 15 kHz.

Cubase SX v3.1.1.944 WiN

Team AiR | June 2010 | 177 MB

Cubase SX3 – The Music Creation and Production System

Designed with the requirements and working methods of professional musicians, composers, audio engineers and producers in mind, Steinberg’s flagship Cubase SX3 converges extraordinary sound quality, intuitive handling and a vast range of functions. Cubase SX3 provides creative tools that save you time at every link of the production chain, from the initial musical idea to final mastering.

Electri-Q v1.8.8 VST WiN

Team AiR | 10/2010 | 4.25 MB

‘Electri-Q is a simple, intuitive, but powerful minimum phase EQ, which makes it very easy to adjust the magnitude of any audio material. Due to its flexibility, it can be used on every track or even as a mastering equalizer. The plugin offers two different algorithms. The algorithm ‘Analog’ was modelled on a transistor based circuit of a real analog EQ. On the other hand ‘Digital’ is a pure and neutral digital EQ without any coloration. ‘Electri-Q 1.8.8’ has up to 64 bands and offers several filter types.

Ultra Analog VA-2 v2.2.3 WiN MAC

AiR KGN | 14 April 2019 | 56.8 MB

AAX AU VST RTAS VSTi

In a world filled with reproductions and ever increasing complexity, Ultra Analog imposes itself as a unique and powerful synth that is fast, easy, and remarkably versatile.