BeatThang Pro v2.0.1 VSTi x86 WiN

Team AiR | 11/2010 | 518 MB

P2P | Jun 26, 2013 | 1.04 GB

Includes SOUNDS: WAV, NKI / All Kits Only, No Instruments

Ever wish you had a user-friendly music making software program so you could crank out your own Platinum-ready beats, tracks and songs? Well, look no further. The first REAL Beat Machine for your computer is here – BEAT THANG VIRTUAL. Beat Kangz Electronics, an independent music technology company, continues the time honored American tradition of ingenuity and innovation by BRINGING HEAT with the fun, easy to use BEAT THANG VIRTUAL. Whether you’re a rookie beat maker or a seasoned vet, BEAT THANG VIRTUAL is packed with power, flexibility, effortless operation and value.

Beatformer v1.2.16 WiN

Team R2R | 29 October 2019 | 16.43 MB

..:: AAX, VST, x64 ::..

an all-in-one beat sculpting plug-in.

Beatformer features four knobs (Boom, Punch, Squash and Air) that control more than a dozen Digital Signal Processing algorithms in the background. Contrary to conventional processors, the plug-in’s design is focused on enabling users to effortlessly shape their beats, without compromising their character and musicality. Beatformer can be used on any beat track, either for transparent or extreme sound manipulation.

Dr.Device v1.0.x WiN MAC

Teams AiR-DYNAMiCS | 2007 WiN: 1.54 MB | 2008 MAC: 2.33 MB

Dr. Device is two (two! two!) hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring our own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through our true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics (you have to see it to believe it) and you’ve got an effect well-suited for both live performance and studio tweaking.

Urban Air Vol.4 WAV

FANTASTiC | 21 September 2020 | 41 MB

Hip-hop and R&B sounds with Grit. From Trap 808s and Rhythmic Hi-hats to Smooth Piano melodies. All loops are drag and drop ready with tempo and keys signatures.

Ohm Force Bundle Rev.4 MAC

AiR KGN | 05 February 2018 | 100 MB

(64Bit, AAX*, VST)

Ohm Force All VST Bundle Plug-in Collection.

Tube-Tech PE 1C WiN

TEAM AiR | 10/2010 | 13.21 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

VocAlign Pro RTAS v4.x.x WiN MAC

Team: XVX | 04.26.2010 | MAC: 8.76 MB

Team AiR | 10/2010 | WiN: 5.16 MB

VocALign® is the unique audio software solution for music and audio post that will adjust the timing of one audio signal to match the timing of another. VocALign’s unique ability to align two signals enables it to be used creatively to take guide or even “live” tracks and create performances with perfectly aligned overdubs. This outstanding software gives users perfectly aligned double-tracked vocals, tight backing vocals, easy re-grooving of recorded vocals for remixing and shorter overdub sessions. Users also have the ability to choose the best rhythm and pace for a specific vocal, or even lay down the required tempo pattern for the artist. For post-production, VocALign will automatically edit a line of replacement dialog so that it aligns with the dialog recorded with the original film or video. The artist can concentrate on performance and the result is perfectly lip-sync’d dialog, or more convincing foreign language dubs. VocALign is a truly amazing tool, which reduces the time taken to re-record dialog or vocals, saving money by drastically reducing production and studio time. Artists can now concentrate on performance and not sync during overdubbing sessions.