ACM500X Bundle R2 WiN

Team R2R | 10 December 2024 | 4.5 MB

PLATFORM: CLAP/VST2/VST3/AAX

Build your ideal virtual analogue mixing environment. The ACM500X series offers a collection of outstanding analogue modelled plug-ins for Windows and Linux, transforming your digital audio workstation into a versatile virtual analogue mixing environment. Use with your existing Windows DAW, or if your are thinking of switching to Linux, with more host applications now available, class-compliant device support – often right out of the box – and greater ease of set up, it’s never been easier to harness the power of Linux for world-class audio performance. Smooth controls with no ‘zipper noise’ when adjusting the plug-in settings.

ACMT Complete Bundle

Team R2R | 21 August 2025 | 129 MB

..: CLAP, VST2, VST3 :…

ACMT develops professional yet affordable audio plugins and DSP solutions. We offer a wide range of audio plugins including vintage hardware emulations, EQs, compressors, reverbs, classic recording console processing and more.

Telsie S v1.1.1 macOS

Team Xdb | 15 February 2026 | 119.42 MB

The Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s. The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart! Designed and built for the ARD (Association of German Public Broadcasters) in the 70´s, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology. These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles. Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles. Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models. All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter. The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ….

Violet Fuzz v1.0.6 WiN

SEnki | 05 February 2026 | 27.6 MB

A bold little fuzz with more shape than you’d expect. Smooth, spitty, and straight-up savage.

Pulsar W495 v1.2.4 MAC

GUiSEPPE | 05 June 2025 | 62MB

An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.

Pulsar W495 v1.2.7 WiN

Team R2R | 24 September 2025 | 21.2MB

An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.

P440 Sweet Spot WiN

TEAM R2R | 22 September 2025 | 18.5 MB

PLATFORM: VST3/AAX/x64

P440 Sweet Spot You have very likely heard words similar to the following uttered many times about mastering: “it makes the music come to life” or “it is the final polish that transitions into something breathtaking” or “It is like… magic!”. The wizardry lies in the hands of the practitioner of course, but surely, as all wizards wield an unassuming yet infinitely powerful device that is a conduit between their mystical knowledge and the physical world, so does the mastering engineer. To the wizard, it is the magic wand and to the mastering engineer, it is the equalizer.