Hi, I’m Maylee Todd — music producer, performance artist, and your weird but wise Ableton guide. I’ve toured the world, released records on Stones Throw, and once made beats using brainwaves. Now I’m here to teach you how to make music without losing your mind–starting with the basics of Ableton Live. Come for the beats, stay for the weird.
The SP140 is a faithful recreation of five famous examples of the revered German steel plate reverb units, first introduced in 1957 and used ubiquitously on your favorite recordings throughout the 1960’s and 70’s, and even up until today. Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the SP140 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation. But the SP140 also sports some new twists to the original, like a 5-position density control that ranges from full-bodied plate sounds to a light, transparent wash without reducing the fullness of the reverb. Additionally, the drive feature gives you a classic tube-style distortion that you can apply pre- or post-reverb, and the high- and low-pass drive set screws allow you to place the distortion exactly where you want in the frequency spectrum. And finally, choose from a list of twenty carefully crafted presets that range from classic references to modern, or even abstract examples.
Introducing the GF240 gold foil plate reverb, a faithful recreation of five units of the deep and haunting EMT 240 gold foil plate reverb, first introduced in 1971. Following the success of the famous 140 steel plate reverb, German manufacturer, EMT, released the model 240 gold foil plate, which sported a much smaller form factor and with a distinct character all its own. Like its real world analog, the Iconic Instruments GF240 is a followup to the Iconic Instruments SP140 steel plate reverb (modeled after the the original EMT 140), and both plugins share the exact same layout and feature set. Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the GF240 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation.
Immerse yourself in the warmth, grit, and timeless tone of a true original, as the legendary reed piano – immortalised by icons like Ray Charles, Queen, Supertramp, Beck, and countless others – comes to life at your fingertips. Introducing Rhodes Wurli – a faithful and deeply musical recreation of the famed 200A, brought to life by the creators behind the acclaimed Rhodes Anthology. Expertly sampled by Rhodes’ world-class sound designers, the Rhodes Wurli captures every nuance of the famous reed-based electric piano, creating an instrument built for players, producers and purists who crave authentic tone and ultimate playability.
Introduces PERRCS From Hans Zimmer’s personal library. A cinematic percussion plugin and the latest addition to Hans Zimmer’s Symphonic Elements series. Built with carefully selected samples from the orchestral library of Oscar-winning film composer Hans Zimmer, PERRCS focuses on energetic, high-end percussion. While rooted in film scoring and trailer music, PERRCS’ versatile sound design makes it equally suitable for pop, hip-hop, and electronic music, giving producers a powerful toolkit for rhythmic layering and dynamic motion. Complementing its low-end counterpart, DRUMS, PERRCS focuses on top-end percussive sounds — sticks, shakers, tambourines, rimshots, rotos, frottoirs, boobams, and more — adding symphonic sparkle and subtle groove to any production. Whether used on its own or alongside other Symphonic Elements titles, PERRCS is designed for instant rhythmic impact, giving producers the tools to create complex rhythms and driving accents with clarity and control.
Few things can bring about the same sense of poetry and expression as a beautiful string texture. Strings elevate the emotion of a song… and that’s what this plug-in is all about! ujam is happy to count Hans Zimmer—one of the world’s great film composers—as one of its co-founders. Hans generously gave us access to his legendary string recordings, amassed over decades, for use in STRIIIINGS.
WavePad Sound Editor is a full featured professional sound editor for Windows and Mac. WavePad Sound Editor will let you edit and make voice and other audio recordings. When editing audio files you can cut, copy and paste parts of recordings and, if required, add effects like echo, amplification and noise reduction. WavePad Sound Editor works as a wav editor or mp3 editor but it also supports a number of other file formats including vox, gsm, real audio, au, aif, flac, ogg and more. WavePad Sound Editor is designed to be a very easy and intuitive to use for audio editing. Within minutes you will be able to open or record a file and edit it. But if you take time to explore the other features you will find many powerful tools for editing audio designed with the professional sound engineer in mind.
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