AGG2 Extension Vol.1 Both Pickup v2.0.2 WiN

TEAM R2R | 2015.05.06 | 1.09 GB

Ample Guitar G II aim to bring the Gibson Les Paul Custom Guitar sound to your studio.

HALion String Edition iSO+8CD Library

Team DELiRiUM | 02-02-2003 | 5.53 GB

HALion String Edition features sections of 8 double basses, 10 cellos, 12 violas and 16 violins, and offers fantastic playing feel and a sound character suited to any musical style from classical to contemporary. The top-notch recording techniques used gives the HALion String Edition a warm character, an outstanding sound quality and an unobtrusive, natural ambience. Each section is provided in two versions you can combine freely with other sections. A multitude of presets make arranging and combining sections a breeze. HALion Player allows full control over articulations such as crescendo, bowing or portamento. The additional HALion programs allow creative editing and limitless combination with other sounds in HALion.

PCDJ Red Mobile 3 v3.3.3 WiN MAC

Team R2R | May 03 2015 | WiN:12.27 MB | MAC:16.98 MB

Built off of the PCDJ DEX Technology, RED Mobile is lighter DJ software aimed directly at the needs of the Mobile DJ. Everything you want to make your job easier, with a clean and user friendly interface that easy to navigate. Use many of the top controllers or a simple keyboard and mouse, your choice!  PCDJ Red Mobile is a computer mixing program geared for a Mobile DJ’s needs. Red Mobile has a powerful Recordcase (track library) that allows you to Import, Mix, and Search all of your mp3, ogg, wma, flac, wav files, unprotected iTunes files easily. Red Mobile supports multiple m3U waitlists, play-list, or crates of mix and match tracks. PCDJ RED Mobile is all you need to rock any mobile event! With Autoplay, a MIX NOW button for quick crossfade and play, an easy to navigate user interface, you have the mobile DJ’s dream package. Less screen clutter and just the right feature set to make your job as easy as possible. Concentrate on your clients and not your DJ software!

CamelPhat VST v3.4x WiN MAC

TEAM AiR | PC v3.42 | 12/2007 | 1.2 MB

TEAM ArCADE | MAC v3.44 | 2008 | 1.5 MB

CamelPhat is the ultimate phattening processor! A powerful ‘colouring’ multi-effect that’s been specially engineered to work wonders on guitar, bass and drums, adding warmth, punch and presence wherever they’re required. Four characteristically different distortion effects are included, which can be used separately or blended together to create an endless variety of tones. The unique ‘Magic EQ’ enhances the low end like nothing else – it’s the perfect kick drum sweetener! Add to that an easy-to-use analogue-modelled compressor, three resonant filters, two LFOs and an envelope follower, and you’ve got one seriously phat package! A stunning graphical user interface puts all the controls at your fingertips, while the X/Y pad allows easy real-time manipulation of the most important parameters.

Linplug Delta III VSTi WiN

Team PARADOX | 05.14.02 | 5.14 MB

The Delta III is simple to use, but far from simplistic. We think it’s the most complete “virtual analogue” synth currently available. If your sounds need to cover the full range from decent to devilish then it’s the ideal instrument!

Linplug daOrgan v2.1.1 VSTi WiN

Team H2O | 10-06-04 | 3.88 MB

daOrgan features all of the controls found on the original B3 as well as a sophisticated rotary speaker simulation. These features have been incorporated into an easy-to-use interface, capable of producing a wide range of classic and modern organ sounds.

HarpTime Pro v1.5 VSTi WiN

TEAM BEAT | 11/20/2006 | 1 MB

Strings / Orchestral

The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.