VSC-3 v1.6.92 WiN
Team R2R | 19 February 2024 | 123.1 MB
THE TRUE EMULATION OF OUR QUAD DISCRETE VCA COMPRESSOR
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THE TRUE EMULATION OF OUR QUAD DISCRETE VCA COMPRESSOR
The valve distortion and saturation generators are based on the the W. Frank Custom Tube Desk circuitry from 1959 wich we brought back to life with my former company HE Studiotechnik. The W. Frank Custom Console is packed with huge transformers, clever valve circuits and passive filters. The new VSM-4 plugin is not a successor or update of the VSM-3 Mix Satellite. Sonically it stands for itself but it comes with all the useful features of the VSM-2 Mix Satellite plus some more new functionality for your Mix and Mastering needs of today.
The VSE-4 plugin is inspired by the musical sound of the VSE-2 EQ, but presents its own unique sonic identity, integrated in a highly flexible user interface concept. With a fully parametric and modular design and its unique Saturation and FM Drive controls, the VSE-4 provides precise and musical EQing with analog sound, as well as exceptional control over the nonlinear behaviour of the filters. This enables the creation of more complex frequency-based distortion effects. The nonlinear filter circuits have been meticulously tuned and digitally modelled to give each of the 13 filter types its own sonic character. Combined with the Overdrive module there are even more options to create rich overtones or heavy distortion.
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Richter is a tectonic compressor, designed to achieve heavy compression with a minimal amount of artifacts. It is the result of many years of experimenting in the Klevgrand labs. Normally a heavily compressed audio signal gets distorted, often with a nasty “zipper noise” artifact because of how the internal envelope followers are engineered. The experiments led to a brand new approach resulting in a compressor that empowers you to squeeze every bit of sonic perfection out of your tracks. Use it for meaty mixes, punchy drums or smooth, transparent vocal tracks. Due to how the algorithm is designed, there are a few unconventional controls to tame Richter. First of all: one single parameter controls how much compression will get applied. The other (important) parameter controls how the internal envelope follower will react to transients vs continuous/lasting sounds. These two parameters make Richter a highly intuitive compressor where the user quickly will be able to dial in the wanted sound. On top of that there’s a boost switch that literally makes the amount span go to eleven. And, as the name suggests, earthquake levels are possible.