Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.
Extreme low CPU and no Pops! The Transient Booster gives your bus tracks the transients they need with a peak-width control. The Transient Booster is a simple but flexible plugin for boosting the transients in your tracks. Set to its default settings, you can use the plugin as a straightforward “one-knob” style tool to bring to life drum-beats, percussion loops and synth stabs. However, the continuous attack and release controls allow you to set the width of the transients you want to target, as well as smooth out any artifacts in case of more extreme use on bus-groups or full mixes. Together with its different timbre styles, and built-in limiter and stereo-link options, the Denise Transient Booster is a versatile tool to boost transients, with minimal CPU load.
Sekai 80 is a knee-less compressor that is designed to deliver a smooth response even with fast attacks and high ratios. It balances smoothness and transparency by calculating the most fluid transition possible. It has a unique Magesy Smoothing Control that lets you achieve a more even response with extreme magesy ratios. It’s a powerful tool that’s a nice addition to your plugin rack.
Powerful sound and a smart morphing feature — perfectly suited for live performances, jam sessions, and studio productions. Cool Sound with cool Controls — not just another Synth! Monique can be a peaceful girl, but her real power is aggressive leads and deep bold basses. Her unique Morphing Feature Incredibly Flexible — designed for live performance, jamming, and studio recording.
Golden Keyz is a massive library of MK’s entire collection of top quality piano and keyboard phrases including exclusive new loops and phrases, all in a powerful, easy-to-use Kontakt interface.
The theremin is an electronic instrument patented in 1928 by Leon Theremin. The typical theremin users two oscillators – one producing a static frequency, one variable – and amplifies the difference of these two signals to produce sine waves at different frequencies, thus creating different pitches. A theremin uses a secondary circuit to control amplitude. You can control pitch/volume with your hands by adjusting the position of your hands in relation to the two antennas of the theremin, thus making it one of the only instruments in the world that you play but never touch! The tone of the theremin is well known, and can be heard in countless horror scores because of its somewhat unnatural and haunting tone. Theoretically, a theremin produces a fundamental pitch as a pure sine wave, and pure sine waves sound unnatural because most sounds in nature come with magesy overtones. The theremin is considered to be one of the worlds most challenging instruments to play. Not only is a theremin “fretless” like a violin, but even stringless, and the tone it produces is not stopped by inaction or through natural decay, but rather by manually decreasing the volume. In other words, to produces staccato notes, one must control not only the attack and hold, but also the decay. This is counterintuitive to how almost every other instrument works.
Booming bassdrums, saucy cymbals and crispy snares can be used to describe the sound of drum machines from the early 80’s. ADM contains three classic vintage drum machines from that era rolled into one, combined with a 32-step internal sequencer and pattern controlled fx (PCF). Get all your patterns into ADM via the Import Rebirth function or directly from your old 909 via sysex (we will provide a free tool for dumping sysex).
