Silkworm is an easy to use “SuperSaw” style virtual analogue synth with built in gate sequencer and delay unit, plus powerful filter, modulation and dynamic controls.
FF Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.
Add some retro charm to your music with the iconic sound of this ’70s electro-mechanical piano called the Pianet T. The reeds in the Pianet T aren’t struck, but instead are engaged by NASA-patented pink plastic suction pads that suck on the reeds until they snap loose and begin to vibrate. Small coils, similar to guitar pickups, then convert the vibrations into electrical sound. The intricate sounds produced by these coils comprise numerous sine waves. In the case of the Pianet T model, it occasionally necessitates the computation of over 100 sine waves to craft its distinct sound profile. To ensure optimal performance without overtaxing the CPU, we’ve integrated an enhanced iteration of the formula pioneered by the seventh-century Indian mathematician Bhāskara Ⅰ. This fusion of ancient methodologies with cutting-edge twentieth-century NASA techniques is seamlessly integrated into our plugin, resulting in a harmonious marriage of tradition and innovation.
ELKA Panther was one of the most famous organs in 60s’ and 70s’ popular music. This is what ELKA said about the Panther Combo Organ in their 1960s’ brochure: “The PANTHER Combo Organ invites you to a new world of musical excitement. Compressed into her sleek, slender frame is a fantastic variety of thrilling organ sounds. The PANTHER is poised, waiting for your musical commands. Ask her for a biting, swinging attack and she’ll leap with ecstasy! Try her on solo and her tingling trebles will penetrate across the biggest room. Taunt this wildcat and her roaring bass tones will overwhelm the noisiest crowd. The PANTHER’s full-throated voice box houses all of the natural sounds of the orchestra, and she’ll mix them in an infinite variety of combinations to fit any mood. She’s a big theater organ, or a power-packed combo organ, or a pulsating solo organ, ready to respond instantaneously. Set her up in a couple of minutes and she’s ready for action! Rock ‘n roll, swing, jazz, or a ballad you name it and this transistorized cat will play it like no other organ in the world.”
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.
The ME80 is mostly about aftertouch expression. (and breath-control CC2 is routed to aftertouch). It is a synth for persons that like to play for hours. The instrument was developed by Gunnar Ekornås, Max Fazio and Georges Poropat over a period of 2 years. Max Fazio has done much research in available data and expired patents. I have discussed every detail of the synth with Max, and he has been the driving force in this project. In many parts of the synth I have just followed his instructions. Georges Poropat is a CS80 owner. He has supplied all the soundfiles I have been asking for and like Max given response about all parts of the synth. Max and Georges did all this work for free because it was their dream to see it realized: To preserve it in digital form, and to make the special playing experience available to more people. Version 2.0 is completely rebuilt and coded by Chris Kerry and use the CK_engine. RG sounds made by Robin Grinnall. PR sounds made by Paul Roach. The 11+11 synthline presets are made by Max Fazio
Elite Orchestral Percussion features a number of cutting-edge techniques to maximize and enhance the playability of the library, including a randomization engine which utilizes a variety of advanced techniques to maximize realism. A full performance view is available in all instruments, enabling instant triggering and programming of various common percussion articulations such as flams, 3-stroke ruffs, chokes, rolls, and realistic rhythmic pattern generators.
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