VirSyn PlugIns Pack WiN
AiR/ASSiGN | 2009/2011 | 177 MB
..:: VST, VSTi, RTAS, x86, x64 ::..
Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.
Viewed 33725 By Music Producers.
Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.
Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.
Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.
You heard 808 Massacre V1 and V2 but now we bring V3 . The angry older brother of the 808 Massacre Line of 808s. Bringing producers some of the most unique 808s in the game. These 808s were meticulously crafted with the urban producer in mind. If you want 808s that shake the house then you came to the right place. Just load up 808 Massacre V3 and your ready to produce your next hit. NO EQ NESSASARY. Everything you hear has been prepared so that you can instantly create without having to eq or compress, or add any other fx to make them sound great.
It is based on a mixed use of traditional synthesis (oscillators, filters) and physical modeling synthesis (tuned delay lines, resonators), but more importantly it reflects the behaviour of a real trumpet, reacts to pitch changes and air pressure in a very natural way, and has a nice and warm timbre. It has been conceived to work with a Wind Controller but it can also be played with a traditional MIDI keyboard thanks to the built-in dedicated envelope generator. Miles’tone doesn’t use any samples.
Palindrome is a granular morph plotting sampler geared toward experimental sound design. The basic concept behind Palindrome is to fuse four granular samplers with a coordinate plotting grid and complex modulation sources in order to facilitate the creation of morphing sound effects and unusual instrument patches. The plugin’s main grid section facilitates the creation of custom paths that determine the trajectory of a playhead over time. This playhead travels across a user-definable path that corresponds with the outputs of the samplers which are smoothly morphed using a bilinear interpolation algorithm. Palindrome also features 8 user-definable multi-breakpoint modulation envelopes to facilitate the creation of intricate modulation shapes.
A completely reinvented Harmony Improvisator plugin was released today. It features Intel Mac support, a built-in synthesizer, a harmonic pattern sequencer and other extraordinary improvements. Harmony Improvisator is the most advanced harmonic composition tool on the market. It opens up the manyfold worlds of harmonic theory by making centuries-old knowledge uniquely transparent.