RX 8 v8.00 WiN

Team R2R | 02 Sep 2020 | 449.7 MB

STANDALONE, VST, VST3, x64

Audio Editor Advanced

RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.

RVXX v1.0.1 Channel Amp

P2P | 28 November 2020 | 127 MB

Aggressive High Gain Amp Simulator

[x64]: VST2, VST3, AAX, AU, Jack Audio App

RVXX is a Two Channel Amp Sim based on an extremely aggressive high gain lunchbox amp with a very big bite, we recreated a tone that gives you the perfect balance for modern Metal. Our new profiling method gets the dynamic you need to feel the power of a tube amp sounding in the next room, amp sims will never be the same after playing RVXX.

PhaseThree v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | Dec 02 2020 | 16 MB

AU / AAX / VST/ VST3 /  x64

PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do. The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.)

AMM v1.0.2 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.5 MB | MAC: 3.29 MB

PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

AMM is a 32to2 channel automatic microphone mixer. It offers several advanced mix modes and extensive controls for each channel. AMM can be used to mix quickly a discussion round, a dialog with several speakers or even an audio conference with up to 16 microphones to a stereo signal. AMM supports multiple channel configurations, from mono up to 16 stereo channels, depending on the DAW capabilities.

ADverb2 v2.1.0 WiN MAC LiNUX

SYNTHiC4TE | Dec 02 2020 | 16 MB

AU/VST/VST3/AAX/x64

ADverb2 is a full update of our classic ADverb (originally named “c”) vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.

LA xLimit III v3.0.1 WiN MAC

Team R2R | 04.10.2019 | WiN: 7.2 MB | MAC: 6.49 MB

AAX, AU, RTAS, VST, VST3, x86, x64

LA xLimit III is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit III is the successor of LA xLimit II, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It adds now extended metering (RMS, EBU and DialNorm). The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing. Design LA xLimit III is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit III guarantees ultra fast and overshot free response by using advanced look ahead algorithms. In order to fulfill today’s TV, broadcast and music production requirements LA xLimit III offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling.

Impress v1.9.17 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.6 MB | MAC: 3.02 MB

AAX, AU, VST, VST3, RTAS, x86, x64

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.