Dirt Machine v1.1 MAC

P2P | 17.04.2018 | MAC: 19.66 MB

AU VST VST3 AU RTAS 32Bit 64Bit

“Dirt Machine” is your new favorite distortion pedal plugin! Built on the same engine as our highly acclaimed “Grind Machine II”, “Dirt Machine” gives you all the controls you wish you had on your favorite drive boxes with a no-nonsense workflow! The on board 3 band eq allows you to sculpt your tone to perfection, and the built in noise gate helps eliminate noise issues before they happen!

Complete v9 11.04.2018 MAC

P2P | 14 April 2018 | 10.34 GB

AU/VST/VSTi/VST3/RTAS/AAX/32Bit/64Bit

Complete v9 11.04.2018 WiN

P2P | 14 April 2018 | 10.1 GB

VST/VSTi/VST3/RTAS/AAX/x86/x64

FinalLoud v1.0.3 WiN

TEAM V.R | 09 April 2018 | 2.81 MB

(Win32/64; AAX*, RTAS, VST3, VST)

FinalLoud, a tool that helps you reach the target volume of any audio material while maintaining given True Peak values. FinalLoud solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

dpMeterXT v1.2.8 WiN

TEAM V.R | 09 April 2018 | 4.76 MB

AAX/VST/VST3/STANDALONE/x86/x64

dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

Stage v1.0.2 WiN

Team V.R | 07 April 2018 | 17.28 MB

AAX VST VST3 x86 x64

Stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great. And The Stage Is Set! Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit. And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!

Dynamic Spectrum Mapper WiN MAC

WiN: Team AiR | Feb 2010 | 4.87 MB

MAC: iND | 18 July 2013 | 21.8 MB

WiN: VST/RTAS | MAC: AU/VST/VST3/RTAS/32Bit/64Bit

What is the DSM V2 plugin? The DSM V2 will capture both, the frequency-domain and the dynamic characteristics of even the most complex audio material. This “capture” can then be used in its original form (or even be altered using the Parametric Threshold EQ) to control the dynamics of the audio material and increase the loudness. Thats if you use the DSM V2 plugin as a mastering limiter. In fact it can do much more than this. It can serve as a great de-esser, vocal enhancer and compressor, and it can add some nice magic to your audio. This unique feature uses ground breaking adaptive techniques to capture both the frequency-domain and dynamic characteristics of audio program, and uses this as the basis for a highly developed large scale multiband compression process. This means that it can sympathetically handle programme over a very wide dynamic range without many of the usual compression artefacts, coping even with large-scale percussive events which badly confound conventional compressors.