🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

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    LA xLimit III v3.0.1 WiN MAC

    Team R2R | 04.10.2019 | WiN: 7.2 MB | MAC: 6.49 MB

    AAX, AU, RTAS, VST, VST3, x86, x64

    LA xLimit III is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit III is the successor of LA xLimit II, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It adds now extended metering (RMS, EBU and DialNorm). The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing. Design LA xLimit III is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit III guarantees ultra fast and overshot free response by using advanced look ahead algorithms. In order to fulfill today’s TV, broadcast and music production requirements LA xLimit III offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling.


    Viewed 6767 By Music Producers & DJ´s.

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    Impress v1.9.17 WiN MAC

    Team R2R | 04.10.2019 | WiN: 3.6 MB | MAC: 3.02 MB

    AAX, AU, VST, VST3, RTAS, x86, x64

    Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.


    Viewed 7431 By Music Producers & DJ´s.


  • AMM v1.0.7 WiN MAC-R2R
    May 31st, 2021 ⚡
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    AMM v1.0.2 WiN MAC

    Team R2R | 04.10.2019 | WiN: 3.5 MB | MAC: 3.29 MB

    PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

    AMM is a 32to2 channel automatic microphone mixer. It offers several advanced mix modes and extensive controls for each channel. AMM can be used to mix quickly a discussion round, a dialog with several speakers or even an audio conference with up to 16 microphones to a stereo signal. AMM supports multiple channel configurations, from mono up to 16 stereo channels, depending on the DAW capabilities.


    Viewed 6711 By Music Producers & DJ´s.

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  • PhaseThree v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

    PhaseThree v3.1.0 WiN MAC LiNUX

    SYNTHiC4TE | Dec 02 2020 | 16 MB

    AU / AAX / VST/ VST3 /  x64

    PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do. The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.)


    Viewed 11387 By Music Producers & DJ´s.


  • 354E v1.0.0 WiN MAC-V.R-SPTNDC
    May 31st, 2021 ⚡
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    354E v1.0.0 WiN MAC

    354E v1.0.0 WiN MAC

    TEAM V.R/SPTNDC | 2017/2021 | WiN: 12.5 MB | MAC: 78 MB

    AAX, AU, VST, VST3, x86, x64

    The 354E is a multiband model of the most famous vintage diode bridge compressor, the Neve 2254E, precisely replicating its distinctive behavior and rich sonic character in each of its three bands. But in practical use, the 354E really is two compressors in one: Turn on its Nuke mode to radically shape individual tracks, and turn it off for lighter, more nuanced compression when mastering or for surgical mixing. Both modes yield the same lush coloration and smooth presence that made the 2254E one of the most revered and highly sought after compressors in the world. The 354E is one of the very best plugins you can use to compress drums, electric guitars, and rock vocals. Unlike its single-banded cousin, the 254E, three independent compression bands (Low, Mid and High), powerful Nuke mode, and Niveau and highpass sidechain filters let you dramatically reshape tracks for maximum size, punch and bottom-end weight. And with an adjustable attack time as fast as 2µsec (two millionths of a second), the 354E is one of the fastest compressors available, capable of shaping sounds in extreme ways most other compressors can only dream of.


    Viewed 13919 By Music Producers & DJ´s.


  • Enso v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

    Enso v1.1.0 WiN MAC LiNUX

    SYNTHiC4TE | Dec 03 2020 | 28 MB

    ..:: AU, VST, VST3, AAX, x64 ::..

    ENSO, An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality. Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes.


    Viewed 16822 By Music Producers & DJ´s.


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    AB_LM v1.6.5 WiN MAC

    Team R2R | 04.10.2019 | WiN: 3.2 MB | MAC: 2.76 MB

    AU/VST/VST3/RTAS/AAX(PATCHED)/x86/x64

    AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.


    Viewed 6969 By Music Producers & DJ´s.

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MaGeSY ® R-EVOLUTiON™⭐⭐⭐