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  • KORG MonoPoly v2.4.1 WiN MAC-R2R

    KORG MonoPoly WiN MAC

    Team R2R | 24 July 2023 | WiN: 18.6MB | MAC: 21.4MB

    PLATFORM: AU/STANDALONE/VST3/AAX/x64

    The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.


    Viewed 22398 By Music Producers & DJ´s.


  • Wave Arts FinalPlug 7 v7.01 WiN-TCD
    May 16th, 2024 ⚡
    Categories:

    Wave Arts FinalPlug 7 v7.01 WiN-TCD Magesy

    FinalPlug 7 v7.01 WiN

    TCD | 14 November 2023 | 6.75 MB

    x64: VST3, VST2, AAX | JBridge Files For x86 Use

    FinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering. FinalPlug can be used as an insert effect, providing limiting for gain staging or volume maximization, or can be placed at the end of your mastering chain to guarantee your audio meets loudness and true peak delivery requirements. The FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.


    Viewed 15368 By Music Producers & DJ´s.


  • Hertz Drums v2.0.6 AAX VST3 x64 WiN-MOCHA
    May 16th, 2024 ⚡
    Categories:

    Hertz Drums v2.0.6 AAX VST3 x64 WiN-MOCHA

    Hertz Drums v2.0.6 WiN

    MOCHA | 16 May 2024 | PLUGiN: 17 MB | LiBRARY: 1.5 GB

    Hertz Drums Standard software has everything you need in a home-recording and professional studio. As producers, we know how troublesome, yet often necessary it is to use several virtual drum instruments at once in the same project. So we decided to create our own all-in-one tool to satisfy every user. Make the drums come true!


    Viewed 43351 By Music Producers & DJ´s.


  • Granulizer v1.2.2 AAX VST3 x64 WiN-TCD
    May 16th, 2024 ⚡
    Categories:

    Granulizer v1.2.2 AAX VST3 x64 WiN-TCD-MaGeSY

    Granulizer v1.2.2 WiN

    TCD | 15 January 2024 | 4.7 MB

    BLEASS Granulizer is a granular texture effect plugin with randomization, 4 multi-bus audio inputs and a mesmerizing 3D visualizer. BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer. The Input Stage allows you to choose between a low-shelf or high-pass filter (to filter out the bass frequencies from input) as well as a gain adjustement. BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible DAW required). When multiple busses are on, each grain is randomly extracted from one of the available sources.


    Viewed 9468 By Music Producers & DJ´s.


  • Soma v1.3.1 AAX VST2 VST3 x64 WiN-TCD
    May 16th, 2024 ⚡
    Categories:

    Soma v1.3.1 AAX VST2 VST3 x64 WiN-TCD-MaGeSY

    Soma v1.3.1 WiN

    TCD | 16 May 2024 | 11.3 MB

    x64: AAX, VST3, VST2 | x86: JBridge

    A passive tube EQ that’s clean and precise enough for modern mastering. Passive tube EQs have long been praised for offering tremendous color and warmth. Their broad boosts and cuts and inherent saturation makes them a favorite option for overall tonal shaping. Knif Audio’s boutique Soma EQ updates the passive tube EQ approach by offering a cleaner, more flexible tone, as well as more precise EQ adjustments to meet the demands of contemporary mastering engineers. The first passive tube EQ with “Real Q Adjustment” taking out the guesswork  Despite their wonderful sound, old school passive EQs have their shortcomings as well. Changing the bandwidth control on a conventional passive EQ will cause you to inadvertently increase or reduce the amount of boost or cut you are applying, leading to unexpected changes in your EQ curve. The Soma EQ finally solves this problem by adding “Real Q Adjustment”. A first in the world of passive tube EQs, it allows for much more predictability and precision than any other EQ of its type.


    Viewed 11349 By Music Producers & DJ´s.

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MaGeSY ® R-EVOLUTiON™⭐⭐⭐