Computer Music November 2024

English | 100 pages | True PDF | 36 MB

No matter whether you’re a complete novice to computer-based music production or a seasoned pro, there’s plenty for you in every issue of Computer Music magazine. Packed full of easy guides to help you start making music as well as in-depth product reviews to get you kickstarted with an epic sound-making setup. Computer Music magazine is the complete guide to making music on your computer, whether that be a Mac or a PC.

Augmented Series 6 WiN

Team V.R | 04 December 2024 | 15.7 GB

..: AAX, VST3, VSTi, STANDALONE :..

Acoustic instruments reinvented.

AmpKnob BDH Bundle 2024

Team R2R | 20 November 2024 | 286 MB

AMPKNOB BDH BUNDLE Legends of high-gain.

Get access to three incarnations of an era-defining high-gain tube guitar amplifier. Work fast and get the album-ready guitar sound you’re after without endless tweaking or second-guessing. The Ampknob BDH plugins have been expertly sound-designed by renowned metal producer Jens Bogren and offer an authentic studio-worthy tone.

ValhallaDSP Bundle 2024 MAC

TEAM V.R | 26 November 2024 | 82 MB

⚡ Reverb-centered plugins ⚡

These plugins are designed primarily to provide reverberation effects.

Electronic Sound 118 2024

English | 100 pages | PDF | 40 MB

This month’s Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we’re bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup. Radiophonic stalwarts Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We’ve interviewed the band’s two surviving members for our cover feature, which is the story of their witchy and wonderful ‘An Electric Storm’ album. It’s an entertaining tale, with lots of strange twists and turns. Lots of sex and drugs as well. White Noise used reel-to-reel tapes and an early VCS 3 on the album, but it doesn’t sound the least bit dated. And while it wasn’t a commercial success on its release in 1969, it’s become hugely influential in the decades since, inspiring sonic adventurers like Throbbing Gristle, Aphex Twin, Broadcast and more.

Electronic Sound 114 June 2024

English | 100 pages | PDF | 62.5 MB

We’re investigating the visual art of John Foxx in this month’s Electronic Sound. While he is best known as the frontman of Ultravox and a revered solo musician in his own right, Foxx is also a highly distinctive visual artist. He has worked in photography, collage, graphic art and other media since the mid-1970s, and his extraordinary portfolio is detailed in a forthcoming book called ‘Electricity And Ghosts’. We’ve invited him to talk about some of his favourite pieces from the book, and the result is a fascinating glimpse into his artistic approach and the aesthetic principles he applies to both his imagery and his records. You could describe it as a sort of synthesis of John Foxx. We have a bumper selection of other great interviews elsewhere in this issue too, including Jeff Mills, John Grant, Suzanne Ciani, Orbital, Wolfgang Tillmans, Low End Activist, Keeley Forsyth and Chanel Beads. We also have a splendid new regular column called “The Best Of…”, which we think you’re going to really love. Our first volunteer is μ-Ziq man and Planet Mu label boss Mike Paradinas, who speaks about peaches, thigh-high socks and geek pies. As you do.

Electronic Sound Issue 115

English | 100 pages | PDF | 62.1 MB

This month’s Electronic Sound cover stars are the effortlessly sublime Air, who are currently on an extensive world tour to promote the deluxe edition of their landmark 1998 album ‘Moon Safari’. Performing inside a huge glass box that looks like something out of Stanley Kubrick’s ‘2001: A Space Odyssey’, Jean-Benoît Dunckel and Nicolas Godin are playing the album live and in full for the first time – and the result is a major triumph. The French duo speak about the gorgeously languid and exquisitely produced ‘Moon Safari’ in our cover feature, as we assess the influence of a record that hit double platinum sales in the UK and remains an electronic masterpiece to this day. With big bells on.