Euphonia 2 v2.0.5 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.9 MB | MAC: 3.20 MB

PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX*

Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve a well balanced audio spectrum in an effective manner is not easy to master! This is where Euphonia 2 starts: Euphonia 2 is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. These few standard curves have the advantage that they work very well with the majority of audio devices. Using Euphonia 2 right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.

FinalLoud v2.0.3 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.5 MB | MAC: 2.88 MB

(WiN/MAC 32/64; AU, AAX*, RTAS, VST3, VST)

FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

GainRider2 v1.0.12 WiN MAC

Team R2R | 04.10.2019 | WiN: 5.9 MB | MAC: 3.4 MB

PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX*

Gainrider 2 is a (vocal-) gain riding tool which gives fully control over the gain riding process. GainRider 2 is the successor of GainRider, our very popular gain riding popular. It offers more ride algorithms and reduces plugin delay.

Blue Tubes Equalizers Pack v5.13 MAC

DDP | 05 June 2020 | 26.6 MB

AU, VST, RTAS, 6/18 Plug-Ins, 32+64 Bit

Vintage Style Equalizers

Designed by musicians for musicians, the Blue Equalizers Pack is a collection of 6 plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic equalizer analog hardware. The sound quality of Blue Equalizers pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.

BIAS FX2 v2.1.9 WiN

Team R2R | May 23 2020 | 626 MB

Tone at an entire new level

Positive Grid is proud to announce the release of BIAS FX 2, the next generation of its acclaimed BIAS FX guitar amp and effects software. Completely re-engineered, with a higher-resolution DSP engine and hundreds of improvements, BIAS FX 2 delivers the ultimate in responsive, detailed and truly authentic guitar and bass tones. Highlights include newly developed, exclusive Guitar Match and emulation technologies that virtually turn one guitar into another with startling realism. An extensive collection of all-new and revamped amps, pedals and HD racks adds unparalleled depth and width to guitar sounds. And all-new Fuzz, Time and Harmonizer modelers provide unique guitar tones and effects, and a looper and recorder allow new performance capabilities. With a newly designed interface that makes it easier than ever to access the massive power of BIAS FX 2, the promise of ultimate tone and flexibility is truly delivered.

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.