Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.
Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.
AdrenaLinn Sync is a software plug-in from Roger Linn Design that provides the same unique beat-synced filter modulation and sequencing effects of our AdrenaLinn III guitar pedal, plus quite a bit more. Though intended for guitar, it adds fascinating rhythmic tonal effects to any instrument or processed audio. First released in October of 2009, we listened to your feedback and are now releasing AdrenaLinn Sync Version 2, a dramatic improvement over the original. And it’s free to all purchasers of the original version. AdrenaLinn Sync Version 2 is written in conjunction with Way Out Ware, makers of TimeWArp2600 and KikAxxe, critically-acclaimed emulations of vintage Arp analog synthesizers. Version 2 is completely rewritten and takes advantage of Way Out Ware’s flawless analog-modeled filters and audio processing technology, resulting in a very wide variety of truly exciting, unique and inspiring sounds.
Provoc Exciter lets you enhance the depth and brilliance of any vocal track. In addition to Treble and Bass faders, it has a De-Hum feature that quickly removes hum and low-end rumble. There’s also a Gain fader with an input level control, and a dry gain control which lets you match the level of the raw vocals to the processed vocals for easy comparison using the on/off switch.
Pivot is a tilt equaliser, with adjustable slope and mid/side modes. Powerful EQ, made simple.
Phrasebox is a phrase arpeggiator that gives you control over the playback like never before. With it’s DAW-like piano roll you can create expressive, layered melodies that aren’t limited in timing and length compared to traditional step arpeggiators. The notes of the piano roll correspond to the pitch order of notes, with “special” notes (like the loudest or quietest notes played), which let you control exactly which notes you want to play. It also features a lock to key option so your transposed notes are never out of key, and the included controller window lets you also send MIDI CC data out to your instruments. Phrasebox also features generation options, so you can generate unlimited unique phrases at the click of a button.
Sidearm is a flexible compressor with many options to tweak the sidechain signal for very precise control. It can perform downwards, upwards and parallel compression and limiting, in peak or RMS flavours and with lookahead if you want it. But the sidechain control is where sidearm really gets to business. Whether you choose an internal sidechain or an external audio source, you can modify the sidechain audio with a multi-mode, adjustable-slope filter (up to 96 dB/octave) and adjust the mid/side, stereo balance and gain. You can also gate the control signal so it only kicks in above a certain level. This brings a level of control that will allow you to define exactly when the compressor kicks in, by isolating specific frequencies, stereo positions and volume levels in the sidechain. There is even a ‘sidechain listen’ option so you can hear what the compressor hears in the sidechain.
