Space Boy v5.04 VST WiN

TEAM ViP | January, 2011 | v5.04: 4.29 MB

TEAM AMPLiFY | 12.07.2007 | v4.90d: 4.46 MB

What do you need to do when you have two audio sources, with similar spectral content, and you would like to mix them in a balanced way so that each of the individual parts can be heard? Normally you may spend hours fiddling with the EQ of each source to find the dominant spectral components. Having done this you then need to tweak each EQ until a suitable balance is reached. All the time being sure that a constant volume is achieved. Using the similar, innovative, communicating plug-in technology used in Clone Boy, Space Boy makes it possible to perform this, normally complex, EQ process in a matter of minutes using just a few sliders. Space Boy, as the name suggests, provides the means to analyse, in real-time, the spectrum of one audio source and make a ‘space’ in the spectrum of another (target) audio source. Not only this, but the ever changing relationship between the different EQs of each source is automatically accommodated in real-time. This means that EQ adjustments are made only when needed.

dpMeterXT3 v3.0.10 WiN MAC

Team R2R | 2022.04.06 | 11.57 MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

DynaRide2 v2.0.10 WiN MAC

Team R2R | 2022.04.06 | 19.77 MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

DynaRide is an advanced gain rider plug-in with multiple detector programs, side chain support and switchable pre-delay. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass. DynaRide offers several detector modes designed for special tasks like dialog, vocal or bass riding. Additionally the riding process can be enhanced by focusing to specific audio signals like speech, vocal and bass.

Euphonia3 v3.0.11 WiN MAC

Team R2R | 2022.04.06 | 14.54 MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

Euphonia is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. Using Euphonia right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.

FinalLoud v3.0.16 WiN

Team R2R | 2022.04.06 | 11.59 MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

MJUC v1.7.2 WiN MAC RETAiL

P2P | 30 May 2022 | 53 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.