Creamy 660 Comp/Limiter NEBULA

NanoBeat | 09 January 2015 | 205.1 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. This comp is widely considered to be one of the out there. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. It’s commonly cited as a favorite for vocals, acoustic guitar, and other material. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Behemoth For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 156.74 KB

 About: Behemoth is based on a custom analog/digital chain that is intended to “clean-up” low end while mostly intensifying lower level harmonic content. Although primarily aimed at low level low-mid frequency content, subtle higher details are also brought to the forefront. The purpose here is to hopefully bring about fuller and more forward sounding program material albeit in a non-traditional sense of compression or dynamic controlling. A consequence and benefit of this psycho-acoustic processing is the saving of a dB here and there, sometimes more depending on the specific material at hand: fuller sounds at a similar output. A similar characteristic of the preset “So Transcited”.

Distressing Mojo for Nebula 192 khz

P2P | 17 February 2014 | 673 MB

The Mojo series are samplings to give you the tone of the hardware that allows for a hybrid approach . Simply put, with Eqs and compressors you can use your favourite emulation plugin to control the action and curves and just use my presets to add the much needed clarity, 3D quality, dynamics, warmth etc. It is my attempt to allow you to use your favourite plugin but to add the mojo that plugins lack.

Classic Logic Console for Nebula 3

AlexB | 13 January 2013 | 961 MB

The PITBULL console: It’s the world’s most successful studio production console. It’s reputation is built upon excellence of design, advanced electronic engineering and a sound quality that has produced hundreds of best-selling recordings. A key element in the sound of many of these recordings is the punch and drive of the mixes created by this classic ’80 console. This unit has been serviced and upgraded to give serious punch and animal power with unbelievable cleanness.

Sooper Time Tube + BBD Delay/Reverb

Team ARCADiA | 26 November 2024 | 505.95 MB

This collection includes effects sampled from three sources. The ‘Time Tube’ unit passes audio through lengths of hose using speakers and pickups, to produce a delay of a few milliseconds, creating a Haas ‘doubling’ effect where the delay isn’t heard as a distinct echo, but instead blends with the dry signal in a way that thickens the sound. Some people love it for vocals. The delay actually comes from the amount of time it takes the sound to travel through the hose. It offers stereo and mono modes, which are different. I’ve sampled both. The other effects were sampled from two home stereo system units: the Pioneer SA60, and the Sansui SA-710. They were both designed to add ambience to the music you play on your system, using bucket brigade delay chips. The SA60 can do a really nice ‘duet’ effect, which is a short delay good for doubling, similar to the ‘Time Tube’ effect.

E-mi Broadcast eQ Legacy NEBULA

Team ARCADiA | 26 November 2024 | 59.33 MB

EBeQ is the rare vintage germanium program equalizer built for BBC broadcast console in the ’70 years. The unit has been totally refurbished and re calibrated since it was improperly racked into fake Abbey Road case using telephone cables and low quality components. Now, with audio grade electronics and Mogami premium cables, this fantastic EQ is returned to shine with his stunning lows, wide midrange and an incredibly airy top end, with the full germanium character and coils sweetness. This unit share the same circuitry of the EMI Abbey Road mastering console TG12410.

Shady Mountain Compo Mojo

NanoBeat | 04 January 2015 | 1.35 GB

Emulation of the Shadow Hills Mastering Compressor

Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 63 presets. Library size is 1.49 GB. 10 distortion kernels. This box is the stuff of legend for mastering guys. UAD made a plugin version that some users feel lacks a little bit of the vibe of the real box. Well today you can get a little bit of that magic back by purchasing this library. Get the transformer magic by using it with the UAD plugin . These are subtle but consider sandwiching the plugin between two instances if it is too subtle for you. Here are Bypassed presets, through the engine but not the transformers, then the transformers without GR and finally with some GR.