VirSyn Matrix v2.1.0 WiN

Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

Matrix – The Voice Coder is “The Vocoder for the 21st century”.

The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from the characteristic filter envelopes from the analysis stage together with an external or internal replacement signal.

Loudness Meter Pro v2.4.1 WiN

Team R2R | Oct 10 2020 | 7.5 MB

(Win32/64; STANDALONE, AAX*, VST3, VST)

Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.

Transient Booster v1.1.0 WiN MAC

SYNTHiC4TE | Jan 15 2020 | 8 MB

..:: AU, VST2, VST3, x86, x64 ::..

Extreme low CPU and no Pops! The Transient Booster gives your bus tracks the transients they need with a peak-width control. The Transient Booster is a simple but flexible plugin for boosting the transients in your tracks. Set to its default settings, you can use the plugin as a straightforward “one-knob” style tool to bring to life drum-beats, percussion loops and synth stabs. However, the continuous attack and release controls allow you to set the width of the transients you want to target, as well as smooth out any artifacts in case of more extreme use on bus-groups or full mixes. Together with its different timbre styles, and built-in limiter and stereo-link options, the Denise Transient Booster is a versatile tool to boost transients, with minimal CPU load.

Sekai 80 Compressor v1.0.0.8 WiN

HY2ROG3N | 22.11.2016 | 22.28 MB

Sekai 80 is a knee-less compressor that is designed to deliver a smooth response even with fast attacks and high ratios. It balances smoothness and transparency by calculating the most fluid transition possible. It has a unique Magesy Smoothing Control that lets you achieve a more even response with extreme magesy ratios. It’s a powerful tool that’s a nice addition to your plugin rack.

Redmix v1.02 VST x86 WiN

HY2ROG3N | 11.11.2016 | 1.70 MB

Place your sound in a virtual stage with Redmix, a powerful 2-dimensional panner that lets you move your sound from left to right and front to back! Redmix makes effective use of the Haas effect and spectral shaping to position the sound. As you move different tracks into their own space they are automatically equalized so everything sits better in the mix, saving you lots of time.

Flash Promo @ Wusik

MaGeSY® | 19.10.2020 | Low Prices!

Offer Ends Next Week, Monday 19 October.

If you liked Wusik ZR… support Wusik by buying some of their great products, now on Sale !! Flash Promo @ Wusik. Several Products @ Very Low Prices! Offer Ends Next, Monday 19 October 2020.

MagicDeathEyeStereo v1.0.0 WiN

Team R2R | 09 May 2020 | 7.2 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”