SCULPT is built on top of four dynamic modules that run in parallel. Combined, these modules form the ultimate dynamics, tone, and transient shaping workhorse.
Magma comes with 65 Effects. Featuring 1-rack-unit interfaces that can be loaded and rearranged using up to four racks, Magma also comes with a flexible routing matrix enabling serial, parallel or combined routings. Effects categories include Dynamics, Equalizers, Pre-Amps, Distortions, Reverbs, Delays, Modulation, Sequencers, Filters, Special FX, and Guitar FX. Magma’s Virtual Studio Rack (VSR) technology enables users to stack dozens of interchangeable effects in a seemingly infinite number of combinations, all in one easy-to-use plug-in. Magma makes it easy to mix and match effects, create and recall unique chains, and process audio in unique ways. Using Magma is like having a Virtual Studio Rack with a large number of effects at your disposal.
The Quinta Pitch Machine plugin is more than your standard octave in that it not only gives you notes an octave up and an octave down, but also gives you a fifth up. Each of the three intervals is dialled in proportion with its own knob, and you get a mix knob to blend dry and pitch-shifted sound, this runs from totally dry to totally pitch-shifted.
SideKick Extended 6 is the easiest, yet most comprehensive side-chain compressor that works in any VST or AU compatible host on Mac and Windows. SideKick Extended 6 is the easiest, yet most comprehensive side-chain compressor that works in your VST and/or AU compatible host on Mac and Windows. With Side chaining you change the volume from one sound by the volume of another sound. It is most commonly used to duck (bass) sounds on each kick punch. Creating room in your mix for maximum fatness.
LevelViewS is optimised for short program material and offers a clear view of the major loudness levels. LevelViewS is not a light weight version of our LevelView plugin. It is an EBU & ATSC loudness meter, optimised for short program material (like commercials, leaders, bumpers, etc) and the music industry. When your program is short, you just want a clear view of the most important loudness parameters: the Integrated Program Loudness, the Short term loudness and the Momentary loudness. LevelViewS offers the clearest view of these levels, guiding you to hit the target level every time around.
LevelView is a highly innovative real time loudness meter. Its ‘Rainbow meter’, based upon the ‘Bendy Meter’ concept of BBC Research, gives the user continuous insight in recent loudness levels of the program material. The arces of the rainbow all have different integration times: the outer ring shows loudness of the last 3s, every step inward triples the time span. This technique has proven to offer a very convenient monitor view during a mix process.
LevelNorm brings the loudness normalization revolution right into your Avid workstation. This AAX and AudioSuite plugin is equally suited for Protools, Media Composer and News Cutter systems. Compliance to EBU R128, ATSC A/85 and CALM act requirements has never been so fast, easy and affordable! The user interface of LevelNorm is kept as simple as possible so R128 compliance can now be achieved by audio experts as well as video editors with limited audio engineering skills. Normalizing a piece of mono, stereo or multichannel audio is as easy as selecting the region of interest and clicking the ‘process’ button. For ATSC A/85 compliance, the AAX plugin optionally offers Dolby Dialog Intelligence to determine the dialog level automatically.
