Nimbus v1.0.0 WiN

Team AudioUTOPiA | Oct 29 2016 | 67.5 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

The Powerful Reverb Unit

Meet NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities: Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better. No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer. Easy to use: We know that workflow matters to our users. While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes. Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.

Deflector v1.0.2 WiN

Team AudioUTOPiA | March 13 2016 | 33.3 MB

..:: AAX*, VST, x86, x64 ::..

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours

VirSyn Matrix v2.1.0 WiN

Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

Matrix – The Voice Coder is “The Vocoder for the 21st century”.

The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from the characteristic filter envelopes from the analysis stage together with an external or internal replacement signal.

Phasis v1.0.1 WiN

Team R2R | Nov 06 2019 | 58 MB

PHASIS: PHASING REDEFINED

PHASIS offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS draws inspiration from classic phasers but adds powerful new features for never-heard-before results. For example, the Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra high rates, producing unique FM-esque tones. Though offering a lush, analog-inspired sound, reminiscent of some of the finest rackmount and pedal-housed phaser effects, PHASIS’ unique Spread control allows wah-wah and formant-style filtering effects, but with a highly distinct sonic flavour. Spread adjusts the density of peaks and notches in the spectrum, and whether set to a single value, controlled live or with automation, or flipped with the Invert button, Spread provides a fresh take on both phasing and vowel-filtering.

Flair v1.0.1 WiN

Team R2R | Nov 06 2019 | 58 MB

FLAIR: A NEW TYPE OF FLANGER

FLAIR turns the classic flanger on its head. Not satisfied simply recreating vintage analog tape and pedal flanging effects – though it does both beautifully – FLAIR adds a revolutionary new Voices mode which uses multiple delay lines to create tuned harmonic flanging layers and resonances. It even features 24 chord settings, offering a variety of chords and note intervals. In addition to the revolutionary features on offer, FLAIR is capable of traditional lush tape and pedal-style flanging, offering all the parameters you would commonly expect, such as tempo-synced pitch modulation. Sound-enhancing features include Detune for offsetting the pitch of the flanging, Feedback for thickening the flanging (complete with adjustable damping control to roll off high frequencies and soften the effect at high feedback values), and Width, for creating stereo flanging.

Choral v1.0.0 WiN

Team R2R | Nov 06 2019 | 57 MB

CHORAL: CLASSIC CHORUS AND MORE

CHORAL takes sonic inspiration from some of the most prized chorus effects of the last 40 years – including iconic rack-mount and synth-based ‘unison’ effects. Add width, movement, sheen, and shimmer to any signal, or take advantage of an all-new feedback mode, Scatter. It avoids the unpleasant metallic quality of heavy feedback settings in traditional designs, instead creating an entirely new reverb-like effect. CHORAL has four sound modes, each with a distinct character.  The unifying factor of all the classics that inspired CHORAL is that they featured little, if any, customization options. On, Off, and Type, were typically the only controls. CHORAL, on the other hand, offers many custom parameters. The number of chorus voices can be set progressively from one to three, the sync rate can be manually altered, as can the modulation rate, amount, mix, delay time, stereo width, and feedback (the latter offering an entirely new routing option, called Scatter).

Loudness Meter Pro v2.4.1 WiN

Team R2R | Oct 10 2020 | 7.5 MB

(Win32/64; STANDALONE, AAX*, VST3, VST)

Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.