Mastering Compressor v1.0.2.1 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.6 MB | MAC: 4.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.

Multiband Compressor v1.0 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.5 MB | MAC: 3.5 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Multiband Compressor (=SMBC) is a versatile three band compressor in VST, VST3, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean processor, suitable for delicate material. It has three independent frequency bands, each followed by a compressor based on the Sonoris Mastering Compressor. The three bands are created with carefully designed Linkwitz-Riley crossover filters to avoid phase cancellation problems while having a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce ringing artifacts and are more efficient in use.

Cans2Cones v2.0.0 WiN OSX

SYNTHiC4TE | May 07 2019 | 8 MB

WiN: 64-bit VST2 & VST3 and MAC: “universal binary” VST2, VST3 & AU

Cans2Cones version v2.0.0, a complete revision to the headphones-to-speaker emulator with an improved algorithm and added features. Cans2Cones is designed to help a listener make better mixes when monitoring through headphones Cans2Cones applies Interaural Time and Amplitude Difference (ITD and ITA) information to a stereo signal that emulates the distance and spacing of loudspeakers in a treated room. A special feature of Cans2Cones is a dynamic de-compression control which helps to overcome the compressed “in your head” sound that can occur due to the close proximity of headphone drivers to the eardrums.

ReeLight v2.0.0 WiN MAC

Team R2R | May 02 2019 | WiN: 100 MB | OSX: 14.4 MB

PLATFORM : WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Reelight is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation / compression and overall sound and vibe and was created using own proprietary RTT technology (used in valvesque).

Slam XL v1.1.0 WiN MAC

Team R2R | May 02 2019 | WiN: 28.4 MB | OSX: 75 MB

PLATFORMS: WiN64 – VST/AAX | MacOSX – AU/VST/AAX

SLAM XL is that “perfect” channel and bus fattener, that can instantly bring your beats, keyboards, live instruments, vocals or percussion to life, without the need of chains of plugins or very complicated plugins, which take more time and are difficult to use. The easy and appealing interface of Slam XL gives you instant control over equalization, saturation, compression, limiting and stereo expansion right out of the box from one plugin, so you don’t have to reach out for other plugins or break your creative flow. SLAM XL is that “perfect” channel and bus fattener, that can instantly bring your beats, keyboards, live instruments, vocals or percussion to life, without the need of chains of plugins or very complicated plugins, which take more time and are difficult to use.

Valvesque v2.0 WiN MAC

Team R2R | 03 Jun 2017 | OSX: 118.9 MB | WiN: 21.7 MB

AU VST AAX x86 x64

Stereo Valve (Tube) Distortion EQ. The plugin models the sound of ritish Valve Distortion found on major hit records of today, and also features a Varislope Equalizer for always musically pleasing sound. Made with our proprietery Reactive Transients Technology.  The “warmth” and “crunch” that certain great valve gear brought to classic recordings is still missed today. Although many companies have tried to emulate classic valve hardware, we felt that we still needed to reach out to our hardware outboard for “that sound!” We were after that Classic British Distortion Valve Sound produced by the 5654 valve based equipment. Finally we decided to embark on the difficult journey of trying to emulate and get the sound signature of one of our favorite pieces of valve gear. In order to do this we needed to start from scratch. So we went a little back in time, much like the gear, and found a unique mathematical system to model our classic hardware, including all its detailed non-linearities. This modeling technology was then further designed and implemented by our team to measure how different transients “react” to valve gear.

That Thing v1.3.0 WiN MAC

Team R2R | May 02 2019 | WiN: 147 MB | OSX: 189 MB

There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.