AmpliTube 3 v3.15c MAC OSX

PlatenseSoul | 7.11.2015 | 342.64 MB

STANDALONE AU VST RTAS AAX 32-64

Experience the innovative full-throttle guitar tones of MESA/Boogie® on your computer
Plug into a MESA/Boogie® amp and it will change your ideas about tone and your playing forever. Seriously, it really will. From the moment you first plug into a MESA, you’ll experience new levels of responsiveness, feel, nuance, and sound and you’ll quickly understand why MESA has always referred to their amplifiers as “Instruments”… because they are! After experiencing your guitar coupled with the effortless and empowering playability and a new freedom to express emotion through attack and sustain characteristics that seem to read your passion… for most, there is no going back to “an amp”.

T-RackS Custom Shop v4.8 MAC

PlatenseSoul | 7.11.2015 | 247.29 MB

STANDALONE AU VST RTAS AAX 32-64

World-class mixing and mastering plug-ins — on demand
Close your eyes and picture a store full of cool processing gear: compressors and limiters are in a rack over here, EQs are over there – tube, solid state, digital – you name it, this store’s got it all. There are reverbs, de-essers, multiband processors, and a shelf full of vintage emulations. In short, a candy store of tone for recording musicians, engineers, and producers. Just a gear geek’s fantasy? Nope, this store is very real, and it’s available to you 24/7. It’s the new T-RackS Custom Shop, where you can browse a huge collection of IK’s high-quality processing plug-ins for mixing and mastering, and purchase only the ones you want, when you want them. And the best part is, you can get started without spending a dime by downloading T-RackS Custom Shop.

Gater-Pro v4.0 AU VST WiN MAC

TEAM UNION | 11/06/15 | WiN: 1.71 MB | MAC: 2.31 MB

Gater-Pro is a stereo trance gate with swing, variable gate shapes and switchable rate. The gate width can be reduced to 0 % to cut the sound completely or increased to 100 % to cut the gating completely.

Fidelia 1.6.5 MAC OSX-P2P

P2P | 2015.10.26 | 10,59 MB

Audiofile Engineering Fidelia is an elegant and powerful music player created exclusively for Mac OS X. Designed in Cocoa from the ground up, Fidelia proudly takes advantage of CoreAudio, Quartz, and other solid OS X features. Fidelia lets discerning OS X users truly optimize their home listening experience, preserving maximum sonic fidelity across multiple file formats and delivering uncluttered utility with a timelessly elegant user interface. Powered by Audiofile Engineering’s unique Fidelia Audio System, it gives you the tools and the freedom to savor the sounds that you love, all the way from your hard drive to your eardrum.

GrindMachine v1.8.0 WiN MAC

Team BEAT | 26 October 2015 | WiN+MAC: 46.84 MB

Grind Machine is the ultimate metal tone monster.

No need to tweak, just plug Grind Machine into your track and enjoy instant mix ready tones that cut through your mix effortlessly. Grind Machine keeps it simple, using any of it’s 12 amplifiers and 20 cabinets it gives you over 240 kick-ass sounding rig variations, leaving you to focus on the songwriting process and save time on your mix. Grind Machine also includes DJENTBOX, an overdrive pedal that makes low tunings sound tighter and more in your face!

Oday Audio Releases 25-26 October 2015

Teams Various | 25-26 October 2015 | 55.01 GB

AU, VST, AiFF, ACiD, WAV, MiDi, TUTORiALS, MiDi, FXB, FXP and More PRESETS…

52 Releases from PiTcHsHiFTeR, MAGNETRiXX, BEAT, SYNTHiC4TE, DYNAMiCS, DiSCOVER, AUDIOSTRiKE, P2P, etc : 25-26 October 2015 …

Noisebud Slow 1.2 VST x86 WiN

P2P | 24.10.2015 | 6.3 MB

Slow is a RMS based leveling amp / compressor aimed for mastering but it can be very handy in production as well. It’s called slow because initially the attack and release was locked to 2 seconds, really slow, hence the name. As the plugin evolved we added an attack knob and in it’s latest incarnation we also let the release out in the open. It start to look like a normal compressor but you’ll soon notice that that is not the case. Slow does not just reduce the gain when the level is above a threshold, it will also increase the gain when the level is below. This make Slow one of a kind and the approach has shown that you can achieve transparent results quicker and with less hassle and surprises. Its intended use is for even out the level of a whole track but try it for sculpting bass drums, compress vocals or brass