SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

Amplifikation Clarent v1.0.0 WiN

Team R2R | 13 Jan 2021 | 443MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!

Gong Amp v1.0.0 WiN

Team R2R | 19 January 2022 | 38.8MB

The Resonance of Early Electronic Music

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day.

Complexer 2 v2.0.5 WiN MAC LiNUX

Team R2R | 25 April 2022 | 16.16 MB

VST • VST3 • AU • AAX

Complexer 2 is a multi-stage dynamics processor, featuring three independently controlled dynamics processors, each with a choice of six different modes. Each of the three processors can be configured as an upward or downward compressor, an upward or downward expander, a limiter, or a gate. Complexer 2 offers four different arrangements for processing: serial/parallel chaining, stereo, mid/side, and multiband. Complexer 2 is a dynamics powerhouse, letting you take complete control of your track.

DeeQ v1.2.0 WiN MAC

Team R2R | 25 April 2022 | 16.52 MB

VST • VST3 • AU • AAX

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

Lowtility 2 v2.1.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 22.9 MB

VST • VST3 • AU • AAX

Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.