Comp G is the revolutionary simulation of a legendary VCA Master Bus Compressor. Comp G goes beyond the mere simulation of the original unit, by adding features not available in the hardware, like the mid-side processing, the parallel compression and EQ on the sidechain.
RX 6: the industry standard for audio repair. The professional’s choice for audio repair raises the bar with game-changing new features for music and post production.
Ozone 10 delivers the latest in audio technology with new tools for instrument balance and low end, smarter audio assistance, and improved performance.
The Boss Led Diode Distortion plugin is the perfect recreation of an iconic late 80s British guitar effect pedal, the first “amp in a box” pedal that replicates the tone and distortion character of famous black and gold British guitar amps. This little pedal, that was used by Gary Moore on Still Got The Blues, Kevin Shields, Josh Klinghoffer and many more, recreates the sound of a classic British stack cranked up with a simple solid state circuit that Nembrini Audio emulates in every nuances.
BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.
After months of research and tweaks this reverb, based on the first digital reverb machine (the EMT-250). The EMT-250 is known for the very sweet character of its reverb and is used on a lot of famous recordings. It is the favorite reverb for a lot of award winning engineers. Real EMT-250’s are rare and other solutions for obtaining similar results were expensive or unnecessarily complex – until now! With the release of EMpTy 250 this ear candy becomes affordable for each studio and engineer!. EMpTy 250 is not yet another reverb plugin. The character of its sound is unique and sets it apart from other reverb plugins or dedicated hardware reverbs. EMpTy 250 is now available as a VST plugin and is also available as a patch for the Eventide® H8000 and H7500. The plugin can be used in any DAW software supporting Steinberg®’s VST-format, like for example Nuendo, Cubase, Adobe Audition, Reaper, VSThost etc. and does not need any internal DSP card, external box or dongle or special drivers to function. A demo version, which is fully functional and looks identical to the full version, but inserts noise into the output signal every 15 seconds, is available for evaluation of the reverb. A 5.1 version has also been planned.
Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.
