SOR 8 v1.0.5a WiN

TEAM HY2ROG3N | 15.04.2015 | WiN: 100.65 MB

..:: VST, RTAS, AAX, x86, x64 ::..

Based on acclaimed Distressor® EL-8 Compressor, 500 Series Rack Style. Seeing as how this plugin is based off of the classic EL-8 Distressor analog compressor, we can expect numerous combinations of distortion, compression and side-chaining. This is the type of plugin we would take home to mom.

Space Modulator v1.0.7 WiN MAC

FREE | 04.12.2016 | WiN + MAC: 9 MB

AU, VST, AAX, RTAS, x86, x64

Earth Shattering Kaboom. ValhallaSpaceModulator is our take on flanging. Eleven algorithms allow you to get through-zero flanging, barberpole flanging, detuning, doubling, strange echoes, reverbs, and all sorts of effects that defy description.

Studio One Bundle v3.0.3 WiN MAC

Team R2R | Sept 16 2015 | WiN: 32.4 MB | OSX: 27 MB

..:: AU/VST/RTAS 32/64Bit ::..

The complete set of Sonalksis audio processing tools. Record, sculpt, experiment and refine your sound with this supreme collection.

VirSyn Matrix v2.1.0 WiN

Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

Matrix – The Voice Coder is “The Vocoder for the 21st century”.

The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from the characteristic filter envelopes from the analysis stage together with an external or internal replacement signal.

Tube-Tech PE 1C MAC

UNPACED | 30/06/2010 | 162.12 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

Tube-Tech PE 1C WiN

TEAM AiR | 10/2010 | 13.21 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

VocAlign Pro RTAS v4.x.x WiN MAC

Team: XVX | 04.26.2010 | MAC: 8.76 MB

Team AiR | 10/2010 | WiN: 5.16 MB

VocALign® is the unique audio software solution for music and audio post that will adjust the timing of one audio signal to match the timing of another. VocALign’s unique ability to align two signals enables it to be used creatively to take guide or even “live” tracks and create performances with perfectly aligned overdubs. This outstanding software gives users perfectly aligned double-tracked vocals, tight backing vocals, easy re-grooving of recorded vocals for remixing and shorter overdub sessions. Users also have the ability to choose the best rhythm and pace for a specific vocal, or even lay down the required tempo pattern for the artist. For post-production, VocALign will automatically edit a line of replacement dialog so that it aligns with the dialog recorded with the original film or video. The artist can concentrate on performance and the result is perfectly lip-sync’d dialog, or more convincing foreign language dubs. VocALign is a truly amazing tool, which reduces the time taken to re-record dialog or vocals, saving money by drastically reducing production and studio time. Artists can now concentrate on performance and not sync during overdubbing sessions.