Sphinx 101 | Master bus processor. Component-accurate analog modeling with TrueRail Technology. Three main circuits — SLL, Nevy, Amok — with twelve analog modeling mechanisms tuned to the harmonic and dynamic signatures of the modeled console classes. Added with known hardware circuits – Pultey, Nevy, SLL, Amok and Maney – for EQ, Filter and all Dynamic Modules.
Our workhorse synthesizer Zebra2 has always been a firm favourite in sound design circles, especially in Hollywood. Many new features have been added over the years, with recent versions including native support for Apple Silicon and VST3. This latest round doesn’t add any new features, however, but actually offers a whole lot more…
The oscillator has company now, a shadow layer, a sub, a string model and SPARKLE. I added components to get me closer to the sound I heard in my head, and all of them feed that same body. It started with one oscillator and a year of trying to make something more organic than a traditional subtractive synth. What got me there was running convolution in real time inside each voice. That gave the sound a body, part of the sound itself instead of a sample being triggered.
Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.
ELASTIQUE PITCH Version 2.5 delivers stunningly clear, real-time pitch and formant shifting for any production need, from creative sonic experimentation to precise frame-rate conversion. Powered by the latest ELASTIQUEPRO engine, the trusted zplane technology used in many world-class DAWs, ELASTIQUE PITCH combines pristine audio quality with effortless control. Sculpt pitch and formants independently for creative sound design, subtle vocal enhancement, or bold transformations. Push your audio further with the built-in Pitch Delay and Grain Freeze features for evolving textures, shifting echoes, and wild effects – all in real time.
Designed for easy startup and fast workflow, but with powerful features if you need them. 32 pads with essential effects, and with 8 sample layers per pad.
Pi is an innovative, multi-channel phase interactions mixer plug-in engine for Mac and PC. Pi works to improve the summing of a DAW or a mixer. Pi dynamically minimizes frequency cancellations between instruments within the mix, improves mono compatibility and brings back the lost depth and focus lost when overlapping frequencies collide. Good phase relationships between mixer tracks, are a key to great sounding mix. Normally, where mixer channels are summed into a single stereo mix bus, instruments overlap and interact with each-other across the frequency range and phase position. Often, a bass track could be temporarily out-of-phase with the kick or rhythm guitar tracks, and when summed into a mix, end up cancelling each-other over the overlapping frequency range, causing a temporary “hole” in the low end. Similarly, a snare track could end up sounding thin in a mix when the toms resonance are out of phase with the snare.
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