Z3TA Plus 2 v2.2.120 MAC OSX

TEAM R2R | 2016.03.10 | 60.51 MB

Description: The legendary waveshaping sound of Z3TA+ (zay’-ta) is back – and better than ever. New filters, modulatable waveshapers, flexible effects, expressive control and a gorgeous new interface make Z3TA+ 2 one seriously powerful synth. It’s not often that a soft synth can be called a classic, but in the case of Z3TA+ it’s definitely appropriate. Used on countless tracks over the past decade, Z3TA+’s distinctive sound has been a staple of electronic artists the world over.

TS-1 Transient Shaper v1.1.0 WiN MAC

Team R2R | March 10 2016 | WiN: 13.2 MB | OSX: 25 MB

AAX AU VST

TS-1 is a frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our “Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics. TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation.

Ambi Head v1.0 AAX AU VST WiN MAC

Team R2R | March 07 2016 | WiN 9.5 MB | OSX 4.6 MB

Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.

Audio Damage 914 Fixed Filter Bank v1.1.0

ASSiGN | 7.3.2012 | WiN: 9.46 MB | OSX: 5.39 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.

Resound v1.7.3 WiN LiNUX MAC

Team R2R | 7 Feb 2016 | LiNUX: 15.7 MB | OSX: 16.5 MB | WiN: 15.3 MB

AU AAX VST RTAS

Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.

Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.

Manifold v1.7.3 AU AAX VST RTAS

Team R2R | 7 Feb 2016 | LiNUX: 12.5 MB | OSX: 14.7 MB | WiN: 12.2 MB

WiN LiNUX MAC

Manifold is a software audio effect processor that enhances an audio signal, producing a fuller, livelier, bigger sound. Input signals are split into as many as 20 individual voices, each of which are detuned, placed around the stereo panorama, and recombined with stunning results. Flexible controls mean Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.

Bus Driver v1.0.0 AU VST Ked MAC

Kleen | 29 Jan 2016 | 9 MB

Bus-Driver is an optical compressor that provides a wide range of compression effects, reminiscent of the best vintage compressors made in the ‘60s. Compression is one of those studio processes that is all too often taken for granted and not usually used to its full potential. Today’s producers think nothing of inserting compressors on every single channel of their DAW when mixing, but old school engineers had to learn to make the most of only a few units of compression and this made them learn them inside out to use them to their best advantage. Bus Driver is modelled on the classics from the ‘golden age’ of tube compressors.