syntAX HYBRiD

Team DYNAMiCS | 02/17/2008 | 3.97 GB

VSTi DXi RTAS AU HYBRiD

A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more. A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more.

Mojo Horn Section DVDR D1-2

TEAM AiRISO | 09/2009 | DVD 1: 7.71 GB | DVD 2: 6.89 GB

Now at the tips of your fingers is the most versatile horn section in the world, MOJO: Horn Section, which offers the most flexible and innovative approach to pop, funk, jazz, and big band horns ever created in a virtual instrument. Pushing the boundaries of sampling and scripting technology far beyond traditional sample libraries, MOJO offers a simple but feature-packed interface. No need to decide in advance which articulation you want to play. Simply load the instrument, turn the Ensemble knob to specify how many players you want playing that instrument (from a soloist to a dectet) and begin controlling the instrument from the keyboard. Mojo Horn Section Screenshot More than a dozen articulations are instantly loaded and intelligently handled via performance features and keyswitches. Behind the scenes, a humanizing function, smart release layers, and custom legato and vibrato tools assist the player in reproducing the ultimate dimensions in realism. Crescendos and swells sync instantly to host tempos and can be triggered in real time.

Bliss v1.0.1 AU VST VSTi MAC LiNUX

TEAM DVT | Jan 02 2016 | MAC: 14.59 MB | LiNUX: 10.48 MB

Performance Sampler Scalable & themeable GUI VSTi sampling 8 macro assignments. Dual Zero Delay Feedback Filters Sample editor 7 built-in effects.

Overtone v1.0.1 WiN MAC

P2P | 25.02.2017 | 18 MB

AU AAX VST VST3 x86 x64

Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.

Scratch Track v.2.4.8 AU VST WiN MAC

TEAM ViP | 09.10.2014 | 10,14 MB

WIN – VST 32bit & 64bit (2,48 MB), OSX – VST & AU

Scratch track is designed to give you a way to add scratches to your recording projects. You can use this plugin to scratch samples, loops, tracks or live input. This is the only software to offer live scratching, and to support all types of timecoded vinyl, midi learn for controls, automation, and programmable crossfade.

KONTAKT KGN v2.0.115 WiN MAC

TEAM R2R | 19.02.2017 | 1.36 MB

This will fix the activation issue for RAS1 (old lib) products on some computers. For other updates, see the included text.

AF2-10 Bundle v2.4.9 WiN MAC LiNUX

Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.