PCDJ DEX 3 v3.9.0.x WiN MAC

F4CG | 08 March 2018 | MAC: 63 MB

Team F4CG | 27 Dec 2017 | WiN x64: 49.9 MB

PCDJ DEX 3 is professional DJ Software for MAC and Windows that allows you to seamlessly mix music, music videos and host karaoke shows. DEX 3 gives you full control over your media, allowing for more creative freedom while mixing than ever before. With our beat-grid based automatic beat mixing it’s easy to blend tracks, allowing you to focus on the other aspects of your mix. Since DEX 3 offers no-latency playback; loops, hot cues, and all playback features are ultra-responsive. Use DEX 2 with a keyboard or mouse, or use one of the 65+ supported DJ controllers for tactile hands-on control. So download DEX 3, import you tunes, and cue up your imagination – DEX 3 is the complete DJ mixing software solution.

Reflektor v2.0.0 FULL WiN MAC

Team R2R | 18 December 2012 | WiN: 277 MB | MAC: 312 MB

TEAM R2R | 14.3.2014 | WiN: 347.08 MB | MAC: 312.30 MB

REFLEKTOR represents the pinnacle of digital signal processing – a definitive convolution reverb based on the groundbreaking Zero Latency Convolution technology developed by Native Instruments. This high-performance effect provides reverb ranging from super-realistic physical rooms to fully virtual acoustics, offering in-depth modeling parameters for creating unique spaces. It can perfectly emulate the sound of high-end, expensive digital reverb units and includes specially designed content for creative sound design. Combined with some highly usable and musical innovations such as the Sync and Reverse feature, this is the ultimate reverb for every production need, from classic to creative.

EZX2 Post-Rock v1.0.0 HYBRiD

Team R2R | 08 Aug 2016 | 2.63 GB

”Dramatic. A force of nature. Unpredictable and almost cinematic.” When asked how to put words to the term post-rock, these were the first that came to mind for Birgir Jón Birgisson and Arnar Gíslason, engineer and drummer behind the EZX with the same name. And there is likely no better setting to capture the very essence of just that than in Iceland’s Sundlaugin Studios. In an ever-shifting landscape chiseled from millions of years of volcanic lava, with a waterfall a stone’s throw away and with a glacier stream literally running beneath it, there it sits on the outskirts of Reykjavik. And if you look out the window at the scenic wonder where extremes on opposite ends of the scale fuse and melt together into something untamed, wild and unpredictable, it’s easy to understand why this is the ultimate backdrop for music with the very same dramaturgy. Welcome to possibly the world’s most comprehensive palette of drums tailored for post-rock – kits fit for anything from the most subtle, open soundscapes to explosive outbursts and crescendos.

EZX2 Traditional Country v1.0.1 WiN MAC

Team R2R | Dec 30 2016 | 1.05 GB

The Traditional Country EZX comes with a stellar collection of drums recorded at the Quonset Hut Studio, the first-ever recording studio on the now world-famous Music Row in Nashville, TN. The first incarnation was opened to the public in 1955 before it was ultimately sold to Columbia and operated under the name of Columbia Studio B until it closed in 1982. Today, it serves as a recording classroom for the Belmont University. However, its legacy lives on vicariously through the iconic music of pioneering artists such as Brenda Lee, Patsy Cline and Johnny Cash, all of whom cut timeless songs at “The Hut”. With the guidance of original players, staff, drawings and notes from the era, producer Glenn Rosenstein and master engineer Jeff Balding were able to accurately replicate the sound of an authentic 1950s session. The drums include two late ‘50s and early ‘60s sets by Rogers and Ludwig as well as a truly unique Apollo MIJ kit, all captured with period-correct gear and saturated by the inimitable magic of the studio that played one of the most influential roles in shaping the Nashville country music sound.

EZX Metalheads for EZDrummer

Team AiRiSO | 12/2010 | 358 MB

One world-renowned drummer, Tomas Haake, member of the extreme metal band Meshuggah. One in demand producer, Daniel Bergstrand, whose mixing and producing credits include the likes of In Flames, Strapping Young Lad, Soilwork and Meshuggah, just to name a few. Two incredible drum kits, assembled and recorded to metal perfection, ready to bring your metal productions to the next level. And, for the first time in Toontrack history, we’ve included Separate mix channels in the EZdrummer mixer, containing kick and snare drum samples designed by Daniel Bergstrand, that augment these already amazingly recorded drums.Twelve classic Meshuggah songs, captured flawlessly via MIDI by Tomas Haake himself, organized both as full songs as well as song parts so you can customize, dissect and use his grooves and drumming brilliance to inspire or create your next grand metal composition. This is the next step in the evolution of metal drum production tools.

n-Track Studio EX v9.0.0 MAC

Kleen | 03 March 2018 | 101 MB

n-Track Studio 9 – A recording studio in your computer. Introducing n-Track Studio 9. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.

Maximal v2.1.2 MAC

Kleen | 02.03.2018 | OSX: 5.1 MB

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.