VOX Super Continental U2B macOS

MORiA | 16 August 2025 | 169 MB

..: STANDALONE | AUi | VST3i :..

The legendary VOX Continental organ is faithfully recreated in software as the VOX Super Continental! Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple of “British Invasion” bands. The Continental’s bright timbre and brash attitude fit perfectly with jangly guitars, and easily cut through the mix on stage and in the studio. Production stopped around 1970, but a new generation of ska, garage, punk, and new wave bands adopted the instruments in the ‘70s and ‘80s. Weathered and worn through decades of use, and none-too-stable to begin with, the instruments tend to be charmingly out of tune. As the key contacts aged, each note started to sound slightly different. With this unique voice, a combination of electric tone and vintage character, the Vox Continental is a fixture of stage and studio – particularly in indie music.

PatchWork v2.73 WiN MAC

Team R2R | 16 August 2025 | WiN: 70MB | MAC: 539.8MB

WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

1178 v1.5.4 MAC

GUiSEPPE | 01 June 2025 | 51 MB

Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.

KONTAKT 7 v7.10.9 MAC

MORiA | 15 August 2025 | 898.59 MB

For 20 years, KONTAKT has been the backbone of countless film scores and pop hits, as well as thousands of incredible instruments from NI and your favorite NKS developers alike. Now, with a new HiDPI browsing experience, an overhauled Factory Library, new creative effects, and under-the-hood audio improvements, the next evolution is nearly here.

Pulsar 8200 v1.2.4 MAC

GUiSEPPE | 01 June 2025 | 112.46 MB

The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.

Poseidon v1.1.4 MAC

GUiSEPPE | 03 June 2025 | 58.79 MB

A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.