PatchWork v2.73 WiN MAC

Team R2R | 16 August 2025 | WiN: 70MB | MAC: 539.8MB

WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

1178 v1.5.4 MAC

GUiSEPPE | 01 June 2025 | 51 MB

Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.

Pulsar 8200 v1.2.4 MAC

GUiSEPPE | 01 June 2025 | 112.46 MB

The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.

Poseidon v1.1.4 MAC

GUiSEPPE | 03 June 2025 | 58.79 MB

A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.

Tape J-37 v1.0.0 U2B macOS

MORiA | 18 December 2024 | 486.06MB

..: AU | VST2 | VST3 | AAX :..

Tape J-37 Tube-driven studio effect. Tape J-37 captures the complex architecture and non-linearities of the legendary Studer J37 tape machine in unprecedented detail. Whether adding subtle tape coloration to a master track or driving the input of a bus or insert with harmonic distortion, Tape J-37 is your go-to tool for bringing tube-driven depth and character to your sound. Tape J-37 lets you experience both like never before. With an intuitive design, four easy-access tape modes and advanced controls – give your sound that high-end analog edge.

QLab Pro v5.5.1 macOS

Team TNT | 15 August 2025 | 33.69MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.