CREEPY PiANO 3 WiN MAC

P2P | 15 December 2025 | 1.25GB

Creepy Piano 3 is the follow-up of our popular mutated and utterly scary piano plugin for Windows and macOS. This new version comes with a revamped interface and structure and sounds even scarier and creepier. Creepy Piano 3 has a lo-fi touch and contains processed piano samples originally recorded from Steinway & Sons A-188 and Yamaha C3 pianos; all the presets from the previous version are included too. There are four expansions with 95 multi-sampled presets in total, giving you unprecedented room for creation. The interface is user-friendly and straight forward with ADSR amplitude envelope, LFO modulation, lowpass/highpass filter and cutoff. New effect modules were added – delay and reverb, each of which comes with typical controls and parameters. The sound shape & feel can be further manipulated with the ADSR envelope, but also the included tremolo section – LFO modulation with rate & depth. Last but not least, volume (gain) and pan complete the global controls.

HORROR BOX v3 WiN MAC

P2P | 15 December 2025 | 2.58 GB

…: AU, VST3, VSTi, x64 :…

Horror Box 3 is a virtual instrument specifically designed for creating soundscapes and terrifying effects, ideal for projects related to video games, movies, and horror music. This software is characterized by offering a wide range of sounds that combine synthetic and organic elements, achieving a unique fusion that evokes sensations of unease and tension. Horror Box 3 focuses on facilitating the design of sound environments that can generate chilling and mysterious atmospheres. With a collection of sounds that includes everything from deep, dark textures to creepy noises and effects, this instrument becomes an essential tool for any producer or sound designer looking to add an extra layer of fear and suspense to their projects. In addition to its preset sounds, Horror Box 3 typically includes modulation and sound manipulation options, allowing users to customize and experiment with the sounds to fit their specific needs, making it a versatile and powerful choice in the arsenal of any creator focused on the horror genre.

Haunted Guitar WiN MAC

P2P | 15 December 20215 | 1.19GB

Haunted Guitar is a VSTi/VST3/AU instrument created with a multi-sampled Fender Stratocaster Plus Deluxe Electric Guitar, each preset contains 28 samples processed with various high quality effects to achieve dark and spooky guitar sounds.

DARKSiCHORD 3 WiN MAC

P2P | 15 December 2025 | 307.9 MB

Harpsichord Virtual Instrument.

Discover the all-new Darksichord 3 – your go-to harpsichord virtual instrument plugin designed to seamlessly enhance your music production experience on Windows and macOS platforms. Darksichord 3 takes its roots from the original version’s three sound layers, now infused with fresh textures and subtle variations that bring a darker and more distinctive sound to the forefront. Navigating the interface is a breeze, offering user-friendly controls including ADSR amplitude envelope, LFO modulation, lowpass/highpass filter options, and a global tune feature. We’ve also added new effect modules – delay, distortion, and reverb – complete with familiar controls for effortless tweaking. Take your sound manipulation further with the revamped Layers section. Independently adjust the levels of each layer (Sub, Harpsichord & Organ) for precise tone shaping that aligns with your creative vision. Darksichord 3 caters to a wide range of music styles, from Pop, Hip Hop, Trap, EDM, and House, to cinematic production, filmmaking, and sound design. Its darker tone is perfectly suited for creating moody and atmospheric vibes. Explore the capabilities of Darksichord 3, now available in VST/VST3/AU plugin formats for both Windows and Mac (64 bit), and elevate your music with enhanced harpsichord sounds.

P410 Joyride macOS

MORiA | 15 October 2025 | 45.7 MB

P410 Joyride Tone Flux Graphic Equalizer.

Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.

Bitwig Studio 6 v6 Beta 8

TOTORO | 15.12.2025 | WiN:318MB | MAC:510MB | LiNUX:347MB

Modern music production and performance.

Bitwig Studio 6 takes a big step up, improving and expanding on the core DAW functions that you use every day. This major update brings you fresh and faster ways to work that will feel familiar. You’ll notice the difference right away: Bitwig Studio’s looks have been improved, and the visual interface is now easier to adjust to your needs. There are also countless changes under the hood, large and small. It starts with an extensive upgrade to automation editing, which touches everything from smoother editing gestures to new behaviors such as spread and hold. You can also now work with automation in clips, opening up new possibilities that make intuitive sense. Clip aliases offer a new way to handle repetition and structure in your music, while project-wide key signature helps guide your work with notes. New and improved tools, such as the Spray Can and Audition tool, join enhanced expression editing – for the fine details – and layered editing, for big picture work. All of these changes add up to a big improvement in the way you use Bitwig Studio 6 for fundamental music-making tasks.