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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • FinalLoud 3 v3.0.16 WiN MAC-R2R
    June 3rd, 2022 ⚡
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

    FinalLoud 3 v3.0.16 WiN MAC-R2R

    FinalLoud v3.0.16 WiN

    Team R2R | 2022.04.06 | 11.59 MB

    PLATFORM: AU/VST/VST3/AAX/x86/x64

    FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.



    Viewed 20611 By Music Producers.


    • ABJF v3.5.0 Fretless Jazz Bass WiN MAC
      June 2nd, 2022 ⚡

      ABJF v3.5.0 Electric Bass WiN MAC

      ABJF v3.5.0 Fretless Jazz Bass

      P2P | 04 Mayo 2022 | WiN+MAC: 2.2 GB

      …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::…

      Ample Bass JF aim to bring the Fender Custom Shop Jaco Pastorius Relic Fretless Jazz Bass sound to your studio.



      Viewed 22662 By Music Producers.


      • VoicePitcher 4 v4.0.1 WiN-MOCHA
        May 31st, 2022 ⚡

        VoicePitcher 4 v4.0.1 WiN-MOCHA

        VoicePitcher 4 v4.0.1 WiN

        MOCHA | 31 May 2022 | 5.4 MB

        (VST/VST3/AAX/STANDALONE)

        Make vocals stand out Add 3D richness, texture and harmony TB VoicePitcher 4 is a dual voice pitch shifter with creative freeze effect. Help vocals stand out by adding one or more virtual tracks, with LFO-driven dynamic pitch shift and delay for a more natural doubling effect than a chorus or conventional doublers. The unique freeze option can freeze vowels instantly for creative effects. The snapshot selector allows you to quickly change and recall settings for dynamic switching, real-time performance effects and easy automation.



        Viewed 27349 By Music Producers.


        • The God Particle v1.0 AU VST3 AAX WiN MAC-FLARE
          May 31st, 2022 ⚡
          Categories: AAX, AU, macOS, VST3, WiNDOWS

          The God Particle v1.0 AU VST3 AAX WiN MAC-FLARE

          The God Particle v1.0 WiN MAC

          Team FLARE | 31 May 2022 | WiN: 9.21 MB | macOS: 28.1 MB



          Viewed 91211 By Music Producers.


          • ABJ v3.5.0 WiN MAC
            May 31st, 2022 ⚡

            ABJ v3.5.0 WiN MAC

            ABJ v3.5.0 WiN MAC

            P2P | 02 May 2022 | WiN+MAC: 5.99 GB

            …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::…

            ABJ aim to bring the Fender Jazz Bass sound to your studio.

            Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.



            Viewed 10523 By Music Producers.


            • MJUC Variable-Tube Compressor v1.7.2 WiN MAC
              May 30th, 2022 ⚡
              Categories: AAX, AU, macOS, RTAS, VST, WiNDOWS, x64, x86

              MJUC Variable-Tube Compressor v1.7.2 WiN MAC

              MJUC v1.7.2 WiN MAC RETAiL

              P2P | 30 May 2022 | 53 MB

              Variable-Tube Compressor

              MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.



              Viewed 17588 By Music Producers.


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