Bazille is a large modular system combining digital oscillators with analogue-style filters and modelled effects, with a flexibility that only modular patching can provide.
Hive: lightweight synth, heavyweight sound Sleek, streamlined and super fast. Hive was built for speed. An effortless workflow, low cpu use and a single page interface means you can build your tracks in no time. Being ‘fast and simple’ does not mean sacrificing sound quality or creative control. Hive is packed with features, controls and enough flexibility to deliver stunning sounds. A lightweight synth with a heavyweight sound.
DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.
The Lem Echo Music recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. This authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the characteristic wow, flutter, and degradation of the original.
A true one of a kind, Transgressor goes beyond the limits of standard transient designers. It gives you the ability to craft the sound of drums and other instruments not just in terms of attack and sustain, but timbrally as well. The Transgressor combines a transient designer with two equalizers. No big deal you say? Any EQ plug-ins will do? Au contraire mon frère. Transgressor not only lets you equalize the attack and sustain portions of the instrument’s envelope individually (yes, you read that right; attack can be equalized differently from sustain), but it also lets you dial in the specific low, mid, and high frequencies independently on each. What if you need a brighter attack but want to keep the dark resonance of toms or kick drum? Perhaps you need more midrange attack but wish to brighten the resonance of a hi-hat? Perhaps you’re happy with the overall sound of snare but the attack is just a little too bright. The answer is the Transgressor (you must have seen that coming). Only Transgressor gives you the ability to control transients and sustain without compromising one for the other.
Get high-end studio console sound in the comfort of your own virtual effects rack. A cohesive toolset for shaping and ‘exciting’ your sound.
New reference in the simulation of spring reverbs. Based on a mixed convolution and algorithmic technology, SpringAge can give the advantages of the two worlds. If you have never been able to get the real tone and dynamic of a spring reverb out of a plugin, then you need to check it out. With three spring models, taken from the most standard and acclaimed vintage and modern gears, SpringAge always gives you the perfect tone on any kind of instrument, ranging from guitars to vocals, keyboards and synthesizer. Your recordings will have that vintage and dynamic reverb tone, that you cannot get from a digital reverberation unit.
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