ReeLight v2.0.0 WiN MAC

Team R2R | May 02 2019 | WiN: 100 MB | OSX: 14.4 MB

PLATFORM : WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Reelight is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation / compression and overall sound and vibe and was created using own proprietary RTT technology (used in valvesque).

Valvesque v2.0 WiN MAC

Team R2R | 03 Jun 2017 | OSX: 118.9 MB | WiN: 21.7 MB

AU VST AAX x86 x64

Stereo Valve (Tube) Distortion EQ. The plugin models the sound of ritish Valve Distortion found on major hit records of today, and also features a Varislope Equalizer for always musically pleasing sound. Made with our proprietery Reactive Transients Technology.  The “warmth” and “crunch” that certain great valve gear brought to classic recordings is still missed today. Although many companies have tried to emulate classic valve hardware, we felt that we still needed to reach out to our hardware outboard for “that sound!” We were after that Classic British Distortion Valve Sound produced by the 5654 valve based equipment. Finally we decided to embark on the difficult journey of trying to emulate and get the sound signature of one of our favorite pieces of valve gear. In order to do this we needed to start from scratch. So we went a little back in time, much like the gear, and found a unique mathematical system to model our classic hardware, including all its detailed non-linearities. This modeling technology was then further designed and implemented by our team to measure how different transients “react” to valve gear.

Bark of Dog v2.0.3 WiN MAC

Team R2R | 28.04.2019 | WiN: 4.8 MB | MAC: 15.4 MB

AU/VST/VST3/RTAS/x86/x64

Bark of Dog 2 is a new and improved version of the plugin that started it all. Now with 3 different modes, it’s even better than before. When 2 dogs love each other… more dogs just seem to come out of nowhere. And that’s what Bark of Dog 2 is. Now with 2 different modes (and a “combo” mode) you have more options on ways to clean up your low end. Classic mode continues the legacy of version 1. The original Bark of Dog became a staple plugin in studios around the world for a good reason. It’s easy to use and it works. In version 2, you get the same controls, but they are a little more intuitive.

Transgressor v1.0.7 WiN MAC

Team R2R | 28 Apr 2019 | WiN: 3.3 MB | OSX: 6.4 MB

AU/VST/VST3/RTAS/AAX*/x86/x64

Transgressor is the ultimate drum manipulation plugin. You will no longer be limited by the sound of your drums. From subtle enhancement to complete overhaul, Transgressor gives you quick and easy access to dial in your drum sound without limits. Not Just Another Transient Designer: Transgressor is the new standard of transient design. While transient designers let you control the level of your transients, we found that approach just never gave us the results we were looking for. While adjusting the level of transients can certainly impact your sound, the real power comes from being able to EQ your transients and sustains separately. Transgressor gives you 2 EQs. One for your attack and one for your sustain, letting you shape exactly the way you want your attack to sound. Whether it’s hard hitting, tight drums, or big sustained drums, Transgressor lets you dial it in exactly the way you want it. Do you want to add bite to your snare without increasing the snare buzz? Transgressor is your go-to plugin for this. Do you need to reduce the ringing in your snare without changing the tone? Surprise! Transgressor does this easily.

Kicklab XXL v 1.0.2 VSTi x86 WiN

Team ASSiGN | 5 OCTOBER 2011 | 8.31 MB

Kicklab XXL is the most advanced Kickmaking machine on the market, with the whole vst dedicated solely to the most important percussion element of any electronic track, the KICK!. Kicklab XXL is designed for producers who understand the importance of a good, solid Kick drum in their track. Often producers spend a large proportion of their time selecting, trimming, changing and balancing the Kick drum in their productions. It is the foundation and building block upon which all the other elements are set upon, and the reality is that a bad sounding Kick can quite simply ruin your track. For this reason many producers lean towards selecting a Kick drum sample over a “synthesized” Kick, for one simple reason…. Kick drum samples generally sound better. But the problem the producer is then faced with is a lack of control over tweaks and modifications to the sound of the Kick in a static sample. So layering techniques have developed over the years where a sample Kick is mixed with other Kick drums from different sources, Eq’d and pitch changed and mixed and tweaked…to create the desired result. Up until now this has been a combination of many different external techniques and processes all coming together, in samplers, external Fx plugins, synths and mixers. Enter…Kicklab XXL.

Hats v1.1.0 WiN MAC

Team R2R | Dec 30 2016 | WiN: 46 MB | OSX: 98 MB

AU VSTi AAX x86 x64

Hats is a drum synthesizer plugin dedicated to hi hats and cymbals sounds. It features two independent sources: synthesized noise and sample section. Instead of generic white or pink noise, the noise section features 6 square wave oscillators with different pitches and phases, like the famous TR808. The result is a noise sound with a controllable metallic character. The factory bank comes with more than 50 samples, ranging from rare analog drum machines to real acoustic hi hats and cymbals. Some of the samples were also processed with a classic Aphex Aural Exciter and recorded to tape with a vintage Revox B77 MkII.

TransReckon v1.0.1 WiN MAC

Team R2R | Dec 30 2016 | WiN: 6.5 MB | OSX: 10.4 MB

TransReckon is a transient processor that will help you to add punch to your drum lines or put some instruments forward (or backward) in an extremely efficient way and with unexpected ease. TransReckon provides ‘Length’ and ‘Sensivity’ controls, a ‘Listen’ mode, a ‘Flat Sustain’ option and an integrated brickwall limiter. These options help to go further with the transient shaping process. They can be used to reduce artefacts when processing specific instruments (guitars, …) but they also offer new creative possibilities (gate and “pre-delay” effects on a natural reverb).